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Disconnections : popular music audiences in Freetown, Sierra Leone /

This book offers an account of the complex and often contradictory relations between music and society in Freetown's past and present. Blending anthropological thought with ethnographic and historical research, it explores the conjunctures of music practices and social affiliations and the dive...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Stasik, Michael
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bamenda, Cameroon : Leiden : Langaa Research & Pub. CIG ; African Studies Centre, 2012.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Stasik, Michael. 
245 1 0 |a Disconnections :  |b popular music audiences in Freetown, Sierra Leone /  |c Michael Stasik. 
260 |a Bamenda, Cameroon :  |b Langaa Research & Pub. CIG ;  |a Leiden :  |b African Studies Centre,  |c 2012. 
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504 |a Includes bibliographical references (pages 229-237). 
588 0 |a Print version record. 
520 |a This book offers an account of the complex and often contradictory relations between music and society in Freetown's past and present. Blending anthropological thought with ethnographic and historical research, it explores the conjunctures of music practices and social affiliations and the diverse patterns of social dis/connections that music helps to shape, to (re)create, and to defy in Sierra Leone's capital. The first half of the book traces back the changing social relationships and the concurrent changes in the city's music life from the first days of the colony in the late 18th century up to the turbulent and thriving music scenes in the first decade of the 21st century. Grounded in this comprehensive historiography of Freetown's socio-musical palimpsest, the second half of the book puts forth a detailed ethnography of social dynamics in the realms of music, calibrating contemporary Freetown's social polyphony with its musical counterpart. 
505 0 |a The music/society nexus : some introductory reflections and observations -- From class to mass : Freetown's music and society in historical perspective -- Disconnections : social dynamics in the spaces of music -- Topia of utopias. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Popular music  |z Sierra Leone  |z Freetown. 
650 0 |a Popular music fans  |z Sierra Leone  |z Freetown. 
650 0 |a Discotheques  |z Sierra Leone  |z Freetown. 
650 0 |a Music  |x Social aspects. 
650 6 |a Musique populaire  |z Sierra Leone  |z Freetown. 
650 6 |a Musique populaire  |x Fans  |z Sierra Leone  |z Freetown. 
650 6 |a Discothèques (Dancings)  |z Sierra Leone  |z Freetown. 
650 6 |a Musique  |x Aspect social. 
650 7 |a MUSIC  |x Genres & Styles  |x International.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x New Age.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x Pop Vocal.  |2 bisacsh 
650 7 |a Discotheques  |2 fast 
650 7 |a Music  |x Social aspects  |2 fast 
650 7 |a Popular music  |2 fast 
650 7 |a Popular music fans  |2 fast 
651 7 |a Sierra Leone  |z Freetown  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Stasik, Michael.  |t Disconnections.  |d Bamenda, Cameroon : Langaa Research & Pub. CIG ; Leiden : African Studies Centre, 2012  |z 9956728330 
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