|
|
|
|
LEADER |
00000cam a2200000Ma 4500 |
001 |
EBSCO_ocn825978099 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr |n||||||||| |
008 |
130129s2012 enk ob 001 0 eng d |
040 |
|
|
|a YDXCP
|b eng
|e pn
|c YDXCP
|d OCLCO
|d E7B
|d IDEBK
|d CDX
|d N$T
|d OCLCF
|d OCLCO
|d MHW
|d MEAUC
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCQ
|d AGLDB
|d OCLCQ
|d VTS
|d NLE
|d REC
|d UKMGB
|d STF
|d AU@
|d UKAHL
|d VLY
|d OCLCO
|d OCLCQ
|
015 |
|
|
|a GBB6I2332
|2 bnb
|
016 |
7 |
|
|a 017933170
|2 Uk
|
019 |
|
|
|a 841908209
|a 956675893
|a 1162386372
|a 1241830152
|a 1300529047
|
020 |
|
|
|a 1443844853
|q (electronic bk.)
|
020 |
|
|
|a 9781443844857
|q (electronic bk.)
|
020 |
|
|
|z 144383520X
|
020 |
|
|
|z 9781443835206
|
029 |
1 |
|
|a DEBBG
|b BV043075216
|
029 |
1 |
|
|a DEBSZ
|b 424587548
|
029 |
1 |
|
|a AU@
|b 000058373319
|
029 |
1 |
|
|a UKMGB
|b 017933170
|
035 |
|
|
|a (OCoLC)825978099
|z (OCoLC)841908209
|z (OCoLC)956675893
|z (OCoLC)1162386372
|z (OCoLC)1241830152
|z (OCoLC)1300529047
|
037 |
|
|
|a 9781443844857
|b Cambridge Scholars Publishing
|
050 |
|
4 |
|a PN2039
|b .B364 2012
|
072 |
|
7 |
|a PER
|x 011020
|2 bisacsh
|
082 |
0 |
4 |
|a 792.01
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Baofu, Peter.
|
245 |
1 |
0 |
|a Future of post-human performing arts :
|b a preface to a new theory of the body and its presence /
|c by Peter Baofu.
|
260 |
|
|
|a Newcastle upon Tyne, UK :
|b Cambridge Scholars Pub.,
|c 2012.
|
300 |
|
|
|a 1 online resource (xxii, 559 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references (pages 503-521) and index.
|
505 |
0 |
|
|a Introduction : the beauty of performing arts -- The body with limits -- The presence with constraints -- Conclusion : the future of performing arts.
|
588 |
0 |
|
|a Print version record.
|
520 |
|
|
|a Are the performing arts really supposed to be so radical that, as John Cage once said in the context of music, ""there is no noise, only sound, "" since ""he argued that any sounds we can hear can be music""? (WK 2007a; D. Harwood 1976) This radical tradition.
|
546 |
|
|
|a English.
|
590 |
|
|
|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
650 |
|
0 |
|a Performing arts
|x Philosophy.
|
650 |
|
0 |
|a Performance.
|
650 |
|
0 |
|a Forecasting.
|
650 |
|
2 |
|a Task Performance and Analysis
|
650 |
|
2 |
|a Forecasting
|
650 |
|
6 |
|a Arts du spectacle
|x Philosophie.
|
650 |
|
6 |
|a Rendement au travail.
|
650 |
|
6 |
|a Prévision.
|
650 |
|
7 |
|a Energy conversion & storage.
|2 bicssc
|
650 |
|
7 |
|a Carpentry.
|2 bicssc
|
650 |
|
7 |
|a Sub-aqua swimming.
|2 bicssc
|
650 |
|
7 |
|a PERFORMING ARTS
|x Theater
|x History & Criticism.
|2 bisacsh
|
650 |
|
7 |
|a Forecasting.
|2 fast
|0 (OCoLC)fst00931721
|
650 |
|
7 |
|a Performance.
|2 fast
|0 (OCoLC)fst01057829
|
650 |
|
7 |
|a Performing arts
|x Philosophy.
|2 fast
|0 (OCoLC)fst01057915
|
776 |
0 |
8 |
|i Print version:
|z 144383520X
|z 9781443835206
|
856 |
4 |
0 |
|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=539734
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH25005749
|
938 |
|
|
|a Coutts Information Services
|b COUT
|n 25679438
|
938 |
|
|
|a ebrary
|b EBRY
|n ebr10648376
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 539734
|
938 |
|
|
|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis25679438
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 9987052
|
994 |
|
|
|a 92
|b IZTAP
|