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The postmodern mythology of Michel Tournier /

"Michel Tournier defines the supreme mission of a writer to be the creation of a mythology which allows for interaction with his readers, who seem to be losing their critical faculties in our contemporary, postmodern world dominated by consumption and dizzying technological advances. Our contem...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Panek, Melissa Barchi
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne : Cambridge Scholars, ©2012.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Panek, Melissa Barchi. 
245 1 4 |a The postmodern mythology of Michel Tournier /  |c by Melissa Barchi Panek. 
260 |a Newcastle upon Tyne :  |b Cambridge Scholars,  |c ©2012. 
300 |a 1 online resource (vi, 170 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references (pages 165-170). 
505 0 |a Into the shadows : the third order of myth -- The transgressive self of the shadows -- The demise of the sacred. 
520 8 |a "Michel Tournier defines the supreme mission of a writer to be the creation of a mythology which allows for interaction with his readers, who seem to be losing their critical faculties in our contemporary, postmodern world dominated by consumption and dizzying technological advances. Our contemporary society has changed due to the end of the modern era with its reigning ideologies. Collapsing after the atrocities of the Second World War, Modernity and the artistic and literary reactions referred to as modernism, have likewise been transformed. Myth continues to represent the collectivity of human existence, yet, in the short stories and novels of Michel Tournier, myth represents the collapse of the all-encompasing ideologies inherent to the Modern era. The grand narrative of Modernity such as Christianity and Man's reason have been deconstructed in the postmodern era. The mythology of Michel Tournier expresses these trends towards the dissolution of Modernity and creates individual, mini narratives which emphasize the particularity of individual existence. 
505 0 |a (Cont.) Tournier takes established mythical models rooted in Christianity, fables and legends of Western Civilization and re-contextualizes them. Through a semiotic reworking of core binary pairs of a myth, Tornier creates a third-order of representation which modifies the mythical model. The works of le Roi des Aulnes, Gilles et Jeanne, and Vendredi are illustrious of this third-order level of signification. According to Ferdinand de Saussure, Roland Barthes and Claude Lévi-Strauss, the structural make-up of myth transforms established meanings according to the dominant cultural code. Barthes' semiological study of myth reveals the levels of representation through which myth creates meaning. Myth builds upon the denotative first-order level of language and through a connotative process, creates a second-order level. This connotative process does not end on this second-order, for in the writings of Tournier, this semiological process is continued to a third-order which re-contextualizes the myth again. Tournier adapts myth to the unique traits of the postmodern era including deconstruction and playfulness by allowing the reader to provide the context of the story. As such we, the reader, take the place as author of our own individual mythology" -- Publisher's description, back cover. 
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650 0 |a Myth in literature. 
650 6 |a Mythe dans la littérature. 
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650 7 |a Myth & legend told as fiction.  |2 bicssc 
650 7 |a Deconstructionism, Structuralism, Post-structuralism.  |2 bicssc 
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