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Art and abstract objects /
This book presents a lively philosophical exchange between the philosophy of art and the core areas of philosophy. The standard way of thinking about non-repeatable (single-instance) artworks such as paintings, drawings, and non-cast sculpture is that they are concrete (i.e., material, causally effi...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Corby :
Oxford University Press,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Art and abstract objects / |c edited by Christy Mag Uidhir. |
| 260 | |a Corby : |b Oxford University Press, |c 2012. | ||
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| 520 | 8 | |a This book presents a lively philosophical exchange between the philosophy of art and the core areas of philosophy. The standard way of thinking about non-repeatable (single-instance) artworks such as paintings, drawings, and non-cast sculpture is that they are concrete (i.e., material, causally efficacious, located in space and time). This volume examines how philosophical enquiry into art might itself productively inform or be productively informed by enquiry into abstracta taking place within not just metaphysics but also the philosophy of mathematics, epistemology, philosophy of science, and philosophy of mind and language. While the contributors chiefly focus on the relationship between philosophy of art and contemporary metaphysics with respect to the overlap issue of abstracta, they provide a methodological blueprint from which scholars working both within and beyond philosophy of art can begin building responsible, mutually informative, and productive relationships between their respective fields. | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a ""Cover""; ""Contents""; ""List of Contributors""; ""Acknowledgements""; ""Introduction: Art, Metaphysics, and the Paradox of Standards""; ""I. General Ontological Issues""; ""1. Must Ontological Pragmatism be Self-Defeating?""; ""2. Indication, Abstraction, and Individuation""; ""3. Destroying Artworks""; ""II. Informative Comparisons""; ""4. Art, Open-Endedness, and Indefinite Extensibility""; ""5. Historical Individuals Like Anas platyrhynchos and �Classical Gas�""; ""6. Repeatable Artwork Sentences and Generics""; ""III. Arguments Against and Alternatives To"" | |
| 505 | 8 | |a ""7. Against Repeatable Artworks""""8. How to be a Nominalist and a Fictional Realist""; ""9. Platonism vs. Nominalism in Contemporary Musical Ontology""; ""IV. Abstracta Across the Arts""; ""10. Reflections on the Metaphysics of Sculpture""; ""11. Installation Art and Performance: A Shared Ontology""; ""12. What Type of �Type� is a Film?""; ""13. Musical Works: A Mash-Up""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y"" | |
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| 700 | 1 | |a Mag Uidhir, Christy. | |
| 776 | 0 | 8 | |i Print version: |t Art and abstract objects. |d Corby : Oxford University Press 2012 |z 9780199691494 |w (OCoLC)786442637 |
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