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Intermedial arts : disrupting, remembering, and transforming media /
The essays in this collection, which were written by European and North American specialists, position intermediality as a praxis of interpretative analysis in order to show how intermediality challenges our notion of art. The writers examine the various intermedial relations between the arts, which...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne :
Cambridge Scholars Pub.,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Intermedial arts : |b disrupting, remembering, and transforming media / |c edited by Leena Eilittä with Liliane Louvel and Sabine Kim. |
| 260 | |a Newcastle upon Tyne : |b Cambridge Scholars Pub., |c 2012. | ||
| 300 | |a 1 online resource (xiii, 225 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and indexes. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a TABLE OF CONTENTS; INTRODUCTION; ACKNOWLEDGEMENTS; DISRUPTING MEDIA; INTERMEDIAL PROVOCATIONS; WHAT ICARUS KNEW; CHRISTIAN DOTREMONT'S LOGOGRAMS; MOVING LETTERS AND COMPLEX MEDIAL LIMITATIONS IN DIGITAL POETRY; REMEMBERING MEDIA; A CULTURAL POETICS OF THE PHOTO-DOCUMENTARY; HISTORICAL FICTION AND EKPHRASIS IN LEENA LANDER'S THE ORDER; FORMS OF EKPHRASIS IN D'ANNUNZIO'S THE CHILD OF PLEASURE; CONSTRUCTING MEDIA AT THE TURN OF THE 18TH CENTURY; TRANSFORMING MEDIA; MASTER AND MARGARITA; THE HYPOTHETICAL STRATAGEMS OF BORGES AND BERTOLUCCI. | |
| 505 | 8 | |a INTERMEDIALITY AND THE REFUSAL OF INTERDISCIPLINARITY IN STRAVINSKY'S MUSICSONIC EVENTS, MEDIA ARCHIVES, POETIC TRANSFERS; CONCLUSION; REMAINS TO BE SEEN; CONTRIBUTORS; INDEX OF NAMES; SUBJECT INDEX. | |
| 520 | |a The essays in this collection, which were written by European and North American specialists, position intermediality as a praxis of interpretative analysis in order to show how intermediality challenges our notion of art. The writers examine the various intermedial relations between the arts, which may take the form of reference to another form of art, a combination of two or more forms of art or a generic transformation from one form of art to another. In such cases, an intermedial approach helps us to grasp the changing relationship between the arts, which affects our reception of experienc. | ||
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| 650 | 0 | |a Intermediality. | |
| 650 | 0 | |a Arts |x Philosophy. | |
| 650 | 6 | |a Intermédialité. | |
| 650 | 7 | |a Interdisciplinary studies. |2 bicssc | |
| 650 | 7 | |a Literary theory. |2 bicssc | |
| 650 | 7 | |a The arts: general issues. |2 bicssc | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a ART |x Reference. |2 bisacsh | |
| 650 | 7 | |a Arts |x Philosophy. |2 fast |0 (OCoLC)fst00817787 | |
| 650 | 7 | |a Intermediality. |2 fast |0 (OCoLC)fst01744695 | |
| 650 | 7 | |a Intermedialität |2 gnd | |
| 650 | 7 | |a Ekphrasis |2 gnd | |
| 650 | 7 | |a Konstteori. |2 sao | |
| 650 | 7 | |a Intermedialitet. |2 sao | |
| 700 | 1 | |a Eilittä, Leena. | |
| 700 | 1 | |a Louvel, Liliane. | |
| 700 | 1 | |a Kim, Sabine. | |
| 776 | 0 | 8 | |i Print version: |t Intermedial arts. |d Newcastle upon Tyne : Cambridge Scholars Pub., 2012 |z 9781443832854 |w (DLC) 2012429438 |w (OCoLC)774639640 |
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