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Gods and groundlings : historical theatrical audiences.
The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a...
| Clasificación: | Libro Electrónico |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Tuscaloosa :
University of Alabama Press,
©2012.
|
| Colección: | Theatre symposium ;
v. 20. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- E. Bert Wallace; Making Up the Audience: Spectatorship in Historical Context
- Susan Bennett; The Matinee Audience in Peril: The Syndicate's Mr. Bluebeard and the Iroquois Theatre Fire
- Jane Barnette; Prosceniums and Screens: Audience Embodiment into the Digital Age
- Becky Becker; Annie Oakley and the Disruption of Victorian Expectations
- Lisa Bernd; Thomas King at Sadler's Wells and Drury Lane: How the Audience (Mis)Read Management
- Evan Bridenstine; Image
- Makers and Their Discontents: Lady Gregory and the Abbey Theatre Audience
- Michael Jaros
- Anxious Audiences and the Early Modern English Transvestite Theatre
- Robert I. LublinNeglected Evidence: Interpreting the Site of an Elizabethan Royal Entertainment
- Paulette Marty; Creating Ideal Audiences: Ludwig Tieck and German Access to Shakespeare
- Natalie Tenner; Shuffling Roles: Alterations and Audiences in Shuffle Along
- David S. Thompson; When Audiences Attack: The Manhandling of Actress and Activist Kitty Marion
- Christine Woodworth; Contributors