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|a The poetry and poetics of Gerald Vizenor /
|c edited by Deborah L. Madsen.
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|a Albuquerque :
|b University of New Mexico Press,
|c 2012.
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|a 1 online resource (xxiii, 253 pages)
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|a "The first book devoted exclusively to the poetry and literary aesthetics of one of Native America's most accomplished writers, this collection of essays brings together detailed critical analyses of single texts and individual poetry collections from diverse theoretical perspectives, along with comparative discussions of Vizenor's related works. Contributors discuss Vizenor's philosophy of poetic expression, his innovations in diverse poetic genres, and the dynamic interrelationships between Vizenor's poetry and his prose writings. Throughout his poetic career Vizenor has returned to common tropes, themes, and structures. Indeed, it is difficult to distinguish clearly his work in poetry from his prose, fiction, and drama. The essays gathered in this collection offer powerful evidence of the continuing influence of Anishinaabe dream songs and the haiku form in Vizenor's novels, stories, and theoretical essays; this influence is most obvious at the level of grammatical structure and imagistic composition but can also be discerned in terms of themes and issues to which Vizenor continues to return."--Provided by publisher.
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|a Includes bibliographical references and index.
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|a Title -- Copyright -- Contents -- Acknowledgments -- Introduction: The Tribal Trajectory of Vizenor's Poetic Career -- Chapter One: The Language of Borders, the Borders of Language in Gerald Vizenor's Poetry -- Chapter Two: "It may be revolutionary in character": The Progress, a New Tribal Hermeneutics, and the Literary Re-expression of the Anishinaabe Oral Tradition in Summer in the Spring -- Chapter Three: Flying Gerald Vizenor Home in Words and Myths: Or, How to Translate His Poetry into Catalan -- Chapter Four: Almost California: Returning to Elemental Vizenor -- Chapter Five: Vizenor's Life Studies: Revisioning Survivance in Almost Ashore -- Chapter Six: Gaps, Immediacy, and the Deconstruction of Epistemological Categories: The Impact of Gerald Vizenor's Poetry on His Prose -- Chapter Seven: Enriching Prose with Haiku Poetics -- Chapter Eight: Reinventing the Nature of Language: The Poetics of Gerald Vizenor's Prose -- Chapter Nine: "Compassion is learned": Of Squirrels and Men in Vizenor's Poetry and Prose -- Chapter Ten: Vizenor's Elegies on a Red Squirrel -- Chapter Eleven: There's a Hole in the Day: The Third Infantry and Vizenor's Bear Island: The War at Sugar Point -- Chapter Twelve: Being Embedded: Gerald Vizenor's Bear Island: The War at Sugar Point -- Chapter Thirteen: The Question of Nationalism: Sovereign Aesthetics in Bear Island -- Contributors -- Index.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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1 |
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|a Vizenor, Gerald Robert,
|d 1934-
|x Criticism and interpretation.
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|a Vizenor, Gerald Robert,
|d 1934-
|2 fast
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|a Vizenor, Gerald Robert
|d 1934-
|2 gnd
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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|a Criticism, interpretation, etc.
|2 fast
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|a Madsen, Deborah L.
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776 |
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|i Print version:
|t Poetry and poetics of Gerald Vizenor.
|d Albuquerque : University of New Mexico Press, 2012
|w (DLC) 2012034398
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