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La francophonie ou l'éloge de la diversité /
The first part of this volume, ""La Francophonie ou l'éloge de la diversité"", is devoted to ""Francophone cinema, between Bollywood and Hollywood"". What in particular does Francophone cinema have to offer compared Other American or Indian cinema? What...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Francés Inglés |
| Publicado: |
Newcastle upon Tyne :
Cambridge Scholars Pub.,
2011.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 003 | OCoLC | ||
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| 008 | 121215s2011 enkab ob 001 0 fre d | ||
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| 016 | 7 | |a 017832188 |2 Uk | |
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| 049 | |a UAMI | ||
| 245 | 0 | 3 | |a La francophonie ou l'éloge de la diversité / |c edited by Michaël Abecassis, Gudrum Ledegen and Karen Zouaoui. |
| 260 | |a Newcastle upon Tyne : |b Cambridge Scholars Pub., |c 2011. | ||
| 300 | |a 1 online resource (viii, 194 pages) : |b illustrations, map | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a In French and English. | ||
| 505 | 0 | |a TABLE OF CONTENTS; INTRODUCTION; LE CINÉMA FRANCOPHONE, ENTRE BOLLYWOOD ET HOLLYWOOD; LE FRANÇAIS DANS LE CINÉMA BURKINABÉ; BILAN D'UNE INSULARITÉ; LES STANDARDS DU FRANÇAIS PARLÉ DANS LE CINÉMA FRANCOPHONE ET LA LANGUE DE L'AUTRE; HOLLYWOOD AND WORLD CINEMA INFLUENCES; ARGOT COMMUN DES JEUNES ET FRANÇAIS CONTEMPORAIN DES CITÉS DANS LE CINÉMA FRANÇAIS DEPUIS 1995; LE FRANÇAIS, ENTRE THÉORIE ET PRATIQUE; THE 'WEIGHT' AND PROGNOSIS OF LANGUAGES; LE FRANÇAIS ET LES CRÉOLES À BASE FRANÇAISE; LES RENDEZ-VOUS MANQUÉS DU PLURILINGUISME FRANÇAIS. | |
| 520 | |a The first part of this volume, ""La Francophonie ou l'éloge de la diversité"", is devoted to ""Francophone cinema, between Bollywood and Hollywood"". What in particular does Francophone cinema have to offer compared Other American or Indian cinema? What more does Francophone cinema have to offer? What genres does it prefer? For what audience? The second part deals Other the promotion of diversity in Francophone countries, taking into consideration the cultural aspects of Francophonie in the 21st century, the linguistic description of systems in contact, tracing the historical stages which have. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 651 | 0 | |a French-speaking countries. | |
| 650 | 0 | |a Motion pictures |z France |x History. | |
| 650 | 0 | |a Motion pictures |z French-speaking countries |x History. | |
| 650 | 0 | |a Motion pictures, French |x History. | |
| 650 | 0 | |a Multiculturalism |z France |x History |y 21st century. | |
| 650 | 0 | |a Multiculturalism |z French-speaking countries |x History |y 21st century. | |
| 650 | 0 | |a French language. | |
| 651 | 6 | |a Francophonie. | |
| 650 | 6 | |a Cinéma |z France |x Histoire. | |
| 650 | 6 | |a Cinéma |z Francophonie |x Histoire. | |
| 650 | 6 | |a Cinéma français |x Histoire. | |
| 650 | 6 | |a Multiculturalisme |z France |x Histoire |y 21e siècle. | |
| 650 | 6 | |a Multiculturalisme |z Francophonie |x Histoire |y 21e siècle. | |
| 650 | 6 | |a Français (Langue) | |
| 650 | 7 | |a Linguistics. |2 bicssc | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a C 2000 -. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a French language. |2 fast |0 (OCoLC)fst00934333 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Motion pictures, French. |2 fast |0 (OCoLC)fst01027492 | |
| 650 | 7 | |a Multiculturalism. |2 fast |0 (OCoLC)fst01028836 | |
| 651 | 7 | |a France. |2 fast |0 (OCoLC)fst01204289 | |
| 651 | 7 | |a French-speaking countries. |2 fast |0 (OCoLC)fst01253054 | |
| 648 | 7 | |a 2000-2099 |2 fast | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 700 | 1 | |a Abecassis, Michaël. | |
| 700 | 1 | |a Ledegen, Gudrun. | |
| 700 | 1 | |a Zouaoui, Karen. | |
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