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|a Santi, Marina.
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|a Improvisation :
|b Between Technique and Spontaneity.
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|a Newcastle upon Tyne :
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|a Underpinning this project is the attempt to grasp the notion behind improvisation and to understand what is actually meant by "improvisation" its nature and its construct. At the same time this project aims to bestow on improvisation its legitimate role as a versatile, long-lasting creative process of knowledge and action. The word "improvisation" is used to describe a host of very different things. It can be considered a collective, creative phenomenon, an individual skilled performance, an ...
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|a Includes bibliographical references.
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|a The dialectical eroticism of improvisation / Tord Gustavsen -- Jazz as classical music / Andy Hamilton -- On the spontaneity of jazz improvisation / Gabriele Tomasi -- Improvisation as phenomenon and tool for communication, interactive action and learning / Bjørn Alterhaug -- Improvisational creativity as a model for effective learning / Keith Sawyer -- Cultivating an attunement to unfolding : Improvisation and the discovery of identity / Frank J. Barrett.
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|a Creation (Literary, artistic, etc.)
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|a Improvisation (Music)
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|a Improvisation in art.
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|a Improvisation (Musique)
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|i Print version:
|a Santi, Marina.
|t Improvisation : Between Technique and Spontaneity.
|d Newcastle upon Tyne : Cambridge Scholars Publishing, ©2010
|z 9781443818544
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