Cargando…
The sound of tomorrow : how electronic music was smuggled into the mainstream /
Monterey pop festival, 1967. Bernie Krause and Paul Beaver demonstrated a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic m...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York ; London :
Bloomsbury Pub.,
2012.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocn823721340 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 130109s2012 nyua obkq 001 0 eng d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCQ |d TXA |d YDXCP |d OCLCO |d TEFOD |d OCLCF |d OCLCO |d E7B |d OCLCO |d OCLCQ |d AU@ |d IDEBK |d SFB |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d IYU |d OCLCQ |d N$T |d JBG |d YOU |d UKAHL |d UKMGB |d OCLCQ |d EBLCP |d YDX |d OCLCQ |d OCLCO |d K6U |d OCLCQ |d INARC |d OCLCO | ||
| 015 | |a GBB995449 |2 bnb | ||
| 015 | |a GBC022206 |2 bnb | ||
| 016 | 7 | |a 019404421 |2 Uk | |
| 016 | 7 | |a 019697849 |2 Uk | |
| 019 | |a 823577711 |a 831139695 |a 1143509293 |a 1392127082 | ||
| 020 | |a 9781623561536 |q (electronic bk.) | ||
| 020 | |a 1623561531 |q (electronic bk.) | ||
| 020 | |a 9781623565299 |q (electronic bk.) | ||
| 020 | |a 1623565294 |q (electronic bk.) | ||
| 020 | |z 9780826424525 | ||
| 020 | |z 082642452X | ||
| 024 | 8 | |a 99952801349 | |
| 024 | |a 99950906377 | ||
| 029 | 1 | |a AU@ |b 000050659467 | |
| 029 | 1 | |a AU@ |b 000062476284 | |
| 029 | 1 | |a NZ1 |b 14838622 | |
| 029 | 1 | |a UKMGB |b 019404421 | |
| 029 | 1 | |a UKMGB |b 019697849 | |
| 035 | |a (OCoLC)823721340 |z (OCoLC)823577711 |z (OCoLC)831139695 |z (OCoLC)1143509293 |z (OCoLC)1392127082 | ||
| 037 | |a 9781623561536 |b codeMantra | ||
| 050 | 4 | |a ML1092 | |
| 072 | 7 | |a MUS |x 023030 |2 bisacsh | |
| 072 | 7 | |a MUS |x 037080 |2 bisacsh | |
| 082 | 0 | 4 | |a 786.709 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Brend, Mark |c (Musician) | |
| 245 | 1 | 4 | |a The sound of tomorrow : |b how electronic music was smuggled into the mainstream / |c Mark Brend. |
| 260 | |a New York ; |a London : |b Bloomsbury Pub., |c 2012. | ||
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references, filmography, discography and lists of television shows, etc. and index. | ||
| 505 | 0 | |a FC; Half title; Title; Copyright; Introduction; 1 More music than they ever had before; 2 I like music that explodes into space; 3 The privilege of ignoring conventions; 4 Out of the ordinary; 5 Manhattan researchers; 6 Because a fire was in my head; 7 Moog men; 8 White noise; 9 It rhymes with vogue; Epilogue; Notes; Watch and listen; Sources; Acknowledgements; Index. | |
| 520 | |a Monterey pop festival, 1967. Bernie Krause and Paul Beaver demonstrated a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had crea. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Electronic music |x History and criticism. | |
| 650 | 0 | |a Popular music |x History and criticism. | |
| 650 | 6 | |a Musique populaire |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Musical Instruments |x Piano & Keyboard. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Percussion. |2 bisacsh | |
| 650 | 7 | |a Electronic music |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 650 | 7 | |a Elektronische Musik |2 gnd | |
| 650 | 7 | |a Unterhaltungsmusik |2 gnd | |
| 650 | 7 | |a Elektronisk populärmusik |x historia. |2 sao | |
| 650 | 7 | |a Filmmusik |x historia. |2 sao | |
| 650 | 7 | |a Elektroakustisk musik |x historia. |2 sao | |
| 650 | 7 | |a Elektronisk musik |x historia. |2 sao | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Brend, Mark. |t Sound of Tomorrow : How Electronic Music Was Smuggled into the Mainstream. |d London : Bloomsbury Publishing, ©2012 |z 9780826424525 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=836647 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH25159434 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH32839352 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5322316 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1106819 | ||
| 938 | |a ebrary |b EBRY |n ebr10863119 | ||
| 938 | |a EBSCOhost |b EBSC |n 836647 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis24440680 | ||
| 938 | |a YBP Library Services |b YANK |n 9969633 | ||
| 938 | |a Internet Archive |b INAR |n soundoftomorrowh0000bren | ||
| 994 | |a 92 |b IZTAP | ||