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The sound of tomorrow : how electronic music was smuggled into the mainstream /
Monterey pop festival, 1967. Bernie Krause and Paul Beaver demonstrated a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic m...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York ; London :
Bloomsbury Pub.,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
| Sumario: | Monterey pop festival, 1967. Bernie Krause and Paul Beaver demonstrated a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had crea. |
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| Descripción Física: | 1 online resource : illustrations |
| Bibliografía: | Includes bibliographical references, filmography, discography and lists of television shows, etc. and index. |
| ISBN: | 9781623561536 1623561531 9781623565299 1623565294 |