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Fortune and Fatality : Performing the Tragic in Early Modern France.

As an aesthetic notion and dramatic genre, tragedy has enjoyed a privileged place in French culture, particularly during the early modern period when debates over its nature and philosophy reflected fascination with a style whose fundamental principles were drawn from ancient Greek sources. Through...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hosford, Desmond
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne : Cambridge Scholars Pub., 2008.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a TABLE OF CONTENTS; INTRODUCTION; PART I; THE IMAGE(S) OF THE TRAGIC IN LES TRAGIQUES BY AGRIPPA D'AUBIGNÉ; MAJOR E LONGINQUO REVERENTIA; ON THE MORALITY OF TRAGEDIES; PART II; NOBLE FAILURE IN THE DRAMA OF THE FRONDE; ROXELANE ON THE FRENCH TRAGIC STAGE; RHETORIC OF THE BODY AND TROPES OF UNREASON IN LA PRINCESSE DE CLÈVES; PART III; RACINE AND TRAGIC SUCCESSION; A WOMAN'S HAPPY TRAGEDY; THE ELOQUENCE OF WOMEN; EDITORS; CONTRIBUTORS; BIBLIOGRAPHY; INDEX. 
520 |a As an aesthetic notion and dramatic genre, tragedy has enjoyed a privileged place in French culture, particularly during the early modern period when debates over its nature and philosophy reflected fascination with a style whose fundamental principles were drawn from ancient Greek sources. Through the works of Pierre Corneille and Jean Racine, routinely cited for an alleged regularity of form and content exemplifying the academic notion of French Classicism, tragedy has grounded the French l ... 
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650 6 |a Théâtre français  |y 16e siècle  |x Histoire et critique. 
650 6 |a Théâtre français  |y 17e siècle  |x Histoire et critique. 
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