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EBSCO_ocn823720691 |
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|a PN1993.5.A1 .F495 2012
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|a 791.4301
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|a UAMI
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|a Petho, Agnes.
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|a Film in the Post-Media Age.
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|a Newcastle upon Tyne :
|b Cambridge Scholars Pub.,
|c 2012.
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|a 1 online resource (437 pages)
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|a text
|b txt
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|a TABLE OF CONTENTS; INTRODUCTION; PART I; HOW DOES DIFFERENCE MATTER?DIALOGUE AND REFLEXIVITY IN THE FLOW OF REMEDIATIONS; SHIFTING PARADIGMS IN WEB VIDEO; THE VOYAGE OF THE SPECTATORS AROUND EXHIBITED MOVING PICTURES; JEAN-LUC GODARD'S PASSAGES FROM THE PHOTO-GRAPHIC TO THE POST-CINEMATIC; THE TRANSPLANE IMAGE AND THE FUTURE OF CINEMA; SEE MORE, THINK BIG; PART II; LIVES OF CINEMA; ALONG THE TRACK OF THE EFFACED TRACE IN MICHAEL HANEKE'S CACHÉ; PRESTIDIGITATION; BACK TO THE FUTURE OF CAPITALISM; FROM NARRATION TO INFORMATION; WAR, LIES AND VIDEO.
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|a CYBERNETIC SYSTEMS AND ELECTRONIC CULTURE AND THE POST-PHOTOGRAPHIC IMAGE IN CONTEMPORARY HOLLYWOOD DYSTOPIASFEELING TOGETHER; DATABASE LOGIC, INTERACTIVE NARRATIVE AND FILMS; PART III; THIS IMAGE, WHICH I HAVE NEVER SEEN. WHICH I STILL REMEMBER; IT'S NOT TELEVISION, IT'S DVD; NEW FORMS OF NARRATIVITY AND DOCUMENTARY ON DVD; REALISM RECONSIDERED; MORE THAN A MATTER OF MAKING IMAGES SEEN; CONTRIBUTORS.
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|a Ever since the centenary of cinema there have been intense discussions in the fields of film studies about the imminent demise of the cinematic medium, endless articles championing the spirit of genuine cinephilia have proclaimed the death of classical cinema and mourned the end of an era, while new currents in media studies introduced such buzzwords into the discussions as "remediation" (Bolter and Grusin), "media convergence" (Jenkins), "post-media aesthetics" (Manovich) or "the virtual lif ...
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|a Print version record.
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504 |
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|a Includes bibliographical references.
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546 |
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|a English.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Motion pictures
|x History
|y 21st century.
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650 |
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|a Motion picture industry
|x Technological innovations.
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650 |
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|a Technology and the arts.
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650 |
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|a Internet entertainment.
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650 |
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|a Cinéma
|x Histoire
|y 21e siècle.
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650 |
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|a Cinéma
|x Industrie
|x Innovations.
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650 |
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6 |
|a Technologie et arts.
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650 |
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|a Spectacles et divertissements sur Internet.
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650 |
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|a Film theory & criticism.
|2 bicssc
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650 |
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|a Media studies.
|2 bicssc
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650 |
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|a Films, cinema.
|2 bicssc
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650 |
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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650 |
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7 |
|a Internet entertainment
|2 fast
|
650 |
|
7 |
|a Motion picture industry
|x Technological innovations
|2 fast
|
650 |
|
7 |
|a Motion pictures
|2 fast
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650 |
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7 |
|a Technology and the arts
|2 fast
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648 |
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|a 2000-2099
|2 fast
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655 |
|
7 |
|a History
|2 fast
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776 |
0 |
8 |
|i Print version:
|a Petho, Agnes.
|t Film in the Post-Media Age.
|d Newcastle upon Tyne : Cambridge Scholars Publishing, ©2012
|z 9781443837538
|
856 |
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