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|a UAMI
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|a Relational designs in literature and the arts :
|b page and stage, canvas and screen /
|c edited By Rui Carvalho Homem.
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|a Amsterdam :
|b Editions Rodopi,
|c 2012.
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|a 1 online resource (424 pages).
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|a Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ;
|v 158
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|a Print version record.
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|a This collection focuses on texts that address the other arts - from painting to photography, from the stage to the screen, and from avant-garde experiments to mass culture. Despite their diversity of object and approach, the essays in Relational Design.
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|a Cover -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgements -- General Introduction -- 1. The Centre of the Canon and its Elsewheres: Shakespeare's Wanderings -- A Fellow of Infinite Jest -- Shaping the Spectacle: Faking, Making and Performing Reality through Shakespeare -- The Framing of the Shrew: How the Lens Looks upon William Shakespeare's The Taming of the Shrew -- 'THE ARTWORK ON EXHIBIT RUNS ABOUT': Brigitte Maria Meyer's Filmic Adaptation of Heiner Müller's Anatomie Titus Fall of Rome -- 2. Changing Experiences, Changing Discourses: The Challenges of Intermediality -- Ekphrasis Revisited: Crossing Artistic Boundaries -- The Cinematograph in the Novel -- Formal Doubleness and Moral Duplicity: The Holocaust on the Page and Screen -- Hitchcock Goes East: Postcolonial Gothic in Under Capricorn -- Bright Star: Reinventing Romantic Poetry for the Screen -- Reaching Beyond the Commix/Ture: Art Spiegelman's Maus as Relational Genre -- Relational Genres, Gapped Narratives, and Metafictional Devices in Daniel Clowes' David Boring -- The Verbal and the Visual in Advertising Language: A Cross-cultural Analysis -- 3. Writing and the Gaze: Inscriptions of the Modern -- Radical Eye Rhymes: Visual Strategies in Modernist Poetry -- The Visual Artifact in the Poetry of Thomas McGreevy -- Humble Relics: Beckett and Van Gogh's Old Boots -- The Ekphrastic Evocation of Real-ity and the Modernist Dismantling of Pictorial Frames in Fiction -- Modernism and the Metropolis: Representing the City as Transitory Spectacle -- The Modern Work of Art and the Spatialisation of Time: Painting in the Novel -- Virginia Woolf and the Art of Pain -- Into the Stride of the Poem -- 4. Postmodern Shifts: Narrative and the Arts -- 'When you look through the eyes of another': Mary and Lydia Cassatt in Art, Life, and Fiction.
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|a 'An agony of perceivedness'? -- Gazes and Disguises in the Works of James Joyce and Cindy Sherman -- The Journey as Pictorial Metaphor in Thomas Pynchon's The Crying of Lot 49 -- 'Death and the Young Man': Saramago's Death at Intervals -- Performances of Uncertainty in Spaces of Contingency: Aesthetic Confinement and Mechanisms of Silencing in Paul Auster, Haruki Murakami, and Park Chan-wook -- An Afterpiece -- Painting with Words and Becoming Other People: Theatre and the Visual Arts in Molly Fox's Birthday and Authenticity -- an interview with novelist Deirdre Madden -- Contributors -- Index.
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|a English.
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|a Homem, Rui Manuel G. de Carvalho.
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|d Amsterdam : Rodopoi, 2012
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|a Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;
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