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Sensational modernism : experimental fiction and photography in thirties America /
Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind and fiction by writers such a...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chapel Hill :
University of North Carolina Press,
©2007.
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| Colección: | Cultural studies of the United States.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Scrutiny, sentiment, sensation : American modernism and the bodies of the dispossessed
- Sensational contact : William Carlos Williams's short fiction and the bodies of new immigrants
- Modernist documentary : Aaron Siskind's Harlem document
- A piece of the body torn out by the roots : James Agee, Tillie Olsen, William Faulkner, and the contingencies of working-class representation
- Monstrous modernism : laboring bodies, wounded workers, and narrative heterogeneity in Pietro di Donato's Christ in concrete
- No man's land : Richard Wright, stereotype, and the racial politics of sensational modernism.