Mujer de letras = Woman of Letters /

This marks the first time that Gleyvis Coro Montanet's poetry has been translated into English. The volume consists of three sections that explore poetry in different ways; prose poems, poems with rhyme schemes, and poems in free verse.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Martinez, Manuel
Formato: Electrónico eBook
Idioma:Inglés
Español
Publicado: Lewiston : Edwin Mellen Press, 2009.
Temas:
Coro Montanet, Gleyvis, > 1974-
1900-1999
Spanish poetry > 20th century > Translations into English.
POETRY > Continental European.
Spanish poetry.
Romance Literatures.
Languages & Literatures.
Spanish Literature.
Translations.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • MUJER DE LETRAS / WOMAN OF LETTERS: The Spanish Text and Facing English Translationof the Poems of Gleyvis Coro Montanet; Copyright Page; Dedication; Table of Contents; Preface; Foreword; Acknowledgements; Introduction
  • Mujer de letras/Woman of Letters: A Journey of Words; La Tolerancia; Tolerance; Uno / One; Las Piedras, Tu Piedra; Stones, Your Stone; Ante La Pieta De Miguel Angel; Before the Pieta by Michelangelo; De Como Los Suenos Se Rompen; On How Dreams Are Broken; La Fuente y La Muchacha; The Fountain and The Girl; Cuando el Suyo es De Cristal; When Yours is Made of Crystal
  • Cuando Te FuisteWhen You Left; Plegaria De La Mujer Fea; The Ugly Woman's Prayer; Terrenal; Earthly; Aun despues de muerto; Even after death; Profetica; Prophetic; Muchacho En La Escalera; Boy On The Stairs; Cuenta El Sapo Que Lleva Tres Dias Debajo De Una Piedra; The Toad Tells That He Has Spent Three Days Under A Stone; Cuenta El Mayor De Los Cerditos; The Oldest Of The Three Little Pigs Speaks; Cavilaciones De David; The Meditations of David; Confesiones De Champollion; The Confessions of Champollion; Por No Olvidarlos; In Order Not To Forget Them
  • A Veces Pienso Que La Esvastica Es Un Simbolo OriginalSometimes I Think That The Swastika Is An Original Symbol; Critica Al Poema Anterior; Criticism of The Previous Poem; Lo Prohibido; The Forbidden; El Escribano Da Su Version De La Historia Que Antes Conto El Picapedrero; The Scribe Gives His Version Of The Story Previously Told By The Stonecutter; Los Enfermos Se Quedan Solos; The Sick Remain Alone; Las Aspirinas, Su Historia; Aspirins, Their Story; La Mayor Perdida; The Greatest Loss; Perder con elegancia; To lose with grace; Prensa A Domicilio; Home Delivered News; Lapidarias; Lapidaries
  • Ellos Van Montados En PegasoThey Go Riding Pegasus; Contar Lo Que Es Sentarse Detras De Un Hombre Calvo Y Con Cabeza Grande; Telling What It's Like To Sit Behind A Bald Man With A Big Head; Ponerse A Escribir Del Toreo; To Write About Bullfighting; Hablar De La Hispanidad; Speaking of Spanishness; Poetas Le Hacen El Ruedo A Flora; Poets Ring The Circle For Flora; Escribir En La Piedra; Write On The Stone; Dos / Two; Romanza; Romance; Otras Maneras De Estar; Other Ways Of Being; Lamento De Vulcano; Vulcan's Lament; Ah, Que Tu Escapes; Ah, That You Escape; Pesares De Galeria
  • Grief In The GalleryAutoconvencimiento; Self Convincing; Requiem In Blue Para Mi Amigo El Loco; Requiem In Blue For My Friend The Crazy One; Retrato; Portrait; Discurso; Address; El Negocio; The Deal; Arte Digital; Digital Art; La Luna O Donde Digo Au, Estoy Sola; The Moon Or Wherever I Say Au, I Am Alone; La Monja O Donde Digo Lo Mas Natural Es El Deseo; The Nun Or Where I Say That The Most Natural Thing Is Desire; Paraisos Artificiales O Donde Digo La Literatura No Lo Es Todo; Artificial Paradises Or Where I Say That Literature Isn't Everything; Coitoral; Coitally

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