The Shakespearean stage space /

"How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problemati...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ichikawa, Mariko
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge : Cambridge University Press, 2012.
Temas:
Shakespeare, William, > 1564-1616 > Stage history > To 1625.
Shakespeare, William, > 1564-1616 > Stage history > England > London.
Shakespeare, William, > 1564-1616
To 1699
Theaters > Stage-setting and scenery > England > History > 16th century.
Theaters > Stage-setting and scenery > England > History > 17th century.
Theater > England > London > History > 16th century.
Theater > England > London > History > 17th century.
English drama > Early modern and Elizabethan, 1500-1600 > History and criticism.
English drama > 17th century > History and criticism.
Théâtre > Angleterre > Londres > Histoire > 16e siècle.
Théâtre > Angleterre > Londres > Histoire > 17e siècle.
Théâtre anglais > 16e siècle > Histoire et critique.
Théâtre anglais > 17e siècle > Histoire et critique.
LITERARY CRITICISM > European > English, Irish, Scottish, Welsh.
PERFORMING ARTS > Theater > History & Criticism.
English drama
English drama > Early modern and Elizabethan
Theater
Theaters > Stage-setting and scenery
England
England > London
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Contents; Figures and Table; Acknowledgements; Note on texts and old spelling; system of dating; System of dating; Editorial abbreviations; Chapter 1 Playhouses, play texts and the theatrical language; Playhouses; Play texts; The theatrical language; Stage directions; Speeches; The use of the stage space; Chapter 2 'Maluolio within'; Audibility; Visibility; Actually onstage?; Echo scenes and prison scenes; 'Maluolio within'; Chapter 3 'Music within' and 'Music above'; The received theory; 'Above within'; 'Unseen above'; Post-1609 'music within' directions; Early public-theatre plays.

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