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What we say, who we are : Leopold Senghor, Zora Neale Hurston, and the philosophy of language /
"In What We Say, Who We Are: Leopold Senghor, Zora Neale Hurston, and the philosophy of Language. Parker English explores the remarkable overlap between Leopold Senghors concept of "negritude" and Zora Neale Hurston's view of "Negro expression." Senghor provides a broad...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lanham, Md. :
Lexington Books,
©2010.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a English, Parker. | |
| 245 | 1 | 0 | |a What we say, who we are : |b Leopold Senghor, Zora Neale Hurston, and the philosophy of language / |c Parker English. |
| 260 | |a Lanham, Md. : |b Lexington Books, |c ©2010. | ||
| 300 | |a 1 online resource (vii, 139 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 123-130) and index. | ||
| 505 | 0 | |a Senghor's discussion of negritude and Hurston's discussion of Negro expression -- Performism : a view gleaned from Senghor and from Hurston -- Performatives and reflexivity in light of Hurston's ethnography and fiction -- Exchanges of speech -- Speech and senses of self in Their eyes were watching God -- Performism in the world. | |
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 520 | 1 | |a "In What We Say, Who We Are: Leopold Senghor, Zora Neale Hurston, and the philosophy of Language. Parker English explores the remarkable overlap between Leopold Senghors concept of "negritude" and Zora Neale Hurston's view of "Negro expression." Senghor provides a broad summary and Hurston provides many specific details concerning ways in which a person's sense of herself can emerge from how she talks - about anything. Gleaned from what is common to the views of Senghor and Hurston, English uses the term "performism" to designate a more general approach to speech, which he then explicates with some of the most prominent discussions of J.L. Austin's analysis of illocutionary speech acts. The explication also adopts the externalistic/internalistic distinction from the dramaturgical approach to social psychology and the presentational/representational distinction from theorists of professional acting. English ends his work by closely examining Hurston's Their Eyes Were Watching God in light of his discussion of "performism," drawing new and intriguing conclusions about the extent to which Hurston's main character exemplifies W E.B. Du Bois's concept of doubleconsciousness. What We Say, Who We Are is addressed to those interested in Africana studies, African American literature, and the philosophy of language."--Jacket | |
| 546 | |a English. | ||
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| 600 | 1 | 0 | |a Senghor, Léopold Sédar, |d 1906-2001 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Hurston, Zora Neale |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Hurston, Zora Neale |2 fast |
| 600 | 1 | 7 | |a Senghor, Léopold Sédar, |d 1906-2001 |2 fast |
| 650 | 0 | |a Language and languages in literature. | |
| 650 | 0 | |a Speech in literature. | |
| 650 | 0 | |a Ethnology in literature. | |
| 650 | 0 | |a Black people |x Languages. | |
| 650 | 6 | |a Langage et langues dans la littérature. | |
| 650 | 6 | |a Parole dans la littérature. | |
| 650 | 6 | |a Ethnologie dans la littérature. | |
| 650 | 6 | |a Personnes noires |x Langues. | |
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| 650 | 7 | |a Language and languages in literature |2 fast | |
| 650 | 7 | |a Speech in literature |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |t What we say, who we are. |d Lanham, Md. : Lexington Books, ©2010 |z 9780739126516 |w (DLC) 2009028933 |
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