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The Unimagined in the English Renaissance : Poetry and the Limits of Mimesis.

This book is about description and image in Renaissance poetry, but focuses not on descriptions that present a vivid image to the reader's mind but on those that seem to avoid doing so. Against the ancient and still active tradition that poetry is painting in words, it argues that poetry is mos...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Fairleigh Dickinson 2012.
Temas:
Acceso en línea:Texto completo

MARC

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520 |a This book is about description and image in Renaissance poetry, but focuses not on descriptions that present a vivid image to the reader's mind but on those that seem to avoid doing so. Against the ancient and still active tradition that poetry is painting in words, it argues that poetry is most poetic-most distinctive from other forms-when its goals are not visual. 
505 0 |a Acknowledgments; Introduction; 1 Spent Store; 2 Indescribable Landscape; 3 That Which Was Nothing; 4 Forms of Battle; 5 To See No Face; Afterimage; Bibliography; Index; About the Author. 
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650 0 |a English poetry  |y Early modern, 1500-1700  |x History and criticism. 
650 0 |a Poetics  |x Language. 
650 0 |a Mimesis in literature. 
650 0 |a Renaissance  |z England. 
650 6 |a Poétique  |x Langage. 
650 6 |a Mimêsis dans la littérature. 
650 6 |a Renaissance  |z Angleterre. 
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650 7 |a English poetry  |x Early modern  |2 fast 
650 7 |a Mimesis in literature  |2 fast 
650 7 |a Renaissance  |2 fast 
651 7 |a England  |2 fast 
648 7 |a 1500-1700  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
720 |a Mattison, Andrew. 
776 0 8 |i Print version:  |a Mattison, Andrew, 1976-  |t Unimagined in the English renaissance.  |d Madison, NJ : Fairleigh Dickinson University Press, ©2013  |z 9781611475975  |w (DLC) 2012034556  |w (OCoLC)809926029 
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