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|a UAMI
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|a Kelvin, Baron William Thomson.
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|a MetaMusic versus the Sound of Music :
|b a Critique of Serialism.
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|a Lewiston :
|b Edwin Mellen Press,
|c 2010.
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|a 1 online resource (250 pages)
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|a METAMUSIC VERSUS THE SOUND OF MUSIC: A Critique of Serialism; Copyright Page; Table of Contents; Foreword; Acknowledgments; Permissions Granted; Prologue; Chapter 1 -- Setting the Scene; Chapter 2 -- Music's Epiphany: ""The Most Abstract of the Arts""; Chapter 3 -- Those Kindred Fruits of 'Revolution'; Chapter 4 -- Dashes of Sonic Reality -- Midst Heavy Theory-Spinning; Chapter 5 -- Meanwhile: Beyond our West-European Orbit; Chapter 6 -- Empirical Psychology's Verdict; Entr'acte: Serialist Seeds in Bountiful Bloom; Chapter 7 -- Masters of Metamusic; Chapter 8 -- ... and the Beat Goes On; Bibliography.
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|a Includes index.
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|a This study utilizes knowledge banks: acoustics, cognition/perception, ethnomusicology and cultural records in probing Serialism?s basic assumptions. It examines analyses by such leaders in the serialist world as Milton Babbitt, David Lewin and Allen Forte.
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|a Print version record.
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|a English.
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|a Music
|y 20th century
|x Philosophy and aesthetics.
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|a Twelve-tone system.
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|a Music theory
|x History.
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|a Musique
|y 20e siècle
|x Philosophie et esthétique.
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|a Dodécaphonisme.
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|a MUSIC
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|a Music.
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|a Music, Dance, Drama & Film.
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|a Music Philosophy.
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|a 1900-1999
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|i Print version:
|a Kelvin, Baron William Thomson.
|t MetaMusic versus the Sound of Music : A Critique of Serialism.
|d Lewiston : Edwin Mellen Press, ©2010
|z 9780773438071
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