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Constructing Sonnet Sequences in the Late Middle Ages and Renaissance : a Study of Six Poets.
This work establishes the presence of ambiguous, polyvalent characterisation of the first-person voice in the Petrarchan poem sequence. It argues that such characterisation triggers a reader-response mechanism characterised by ambivalence and interest which could be called splintered identification....
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lewiston :
Edwin Mellen Press,
2010.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kambaskovic-Sawers, Danijela. | |
| 245 | 1 | 0 | |a Constructing Sonnet Sequences in the Late Middle Ages and Renaissance : |b a Study of Six Poets. |
| 260 | |a Lewiston : |b Edwin Mellen Press, |c 2010. | ||
| 300 | |a 1 online resource (421 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 505 | 0 | |a CONSTRUCTING SONNET SEQUENCES IN THE LATE MIDDLE AGES AND RENAISSANCE: A Study of Six Poets; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgments; Abstract; Introduction; Chapter One -- 'A good length with my short thread': Petrarch's Il Canzoniere and Splintered Identification; Chapter Two -- 'Fore-judging the after-following race': Sidney's Astrophil at Play With Ambiguity; Chapter Three -- 'Her stubborne hart to bend': Spenser's Amoretti and the Poetics of Ethical Challenge. | |
| 505 | 8 | |a Chapter Four -- 'I see your craft, now I perceaue your drift': Drayton's Idea, Daniel's Delia and the Architectonics of EntertainmentChapter Five -- 'Three themes in one, which wondrous scope affords': Shakespeare's Sonnets and the Ascendancy of the Story; Conclusion; Select Bibliographies; General Bibliography; Bibliography -- Chapter One; Bibliography -- Chapter Two; Bibliography -- Chapter Three; Bibliography -- Chapter Four; Bibliography -- Chapter Five; Index. | |
| 520 | |a This work establishes the presence of ambiguous, polyvalent characterisation of the first-person voice in the Petrarchan poem sequence. It argues that such characterisation triggers a reader-response mechanism characterised by ambivalence and interest which could be called splintered identification. This means of identifying helps promote reader-involvement and foster the perception of the sequence as an integral work, concerns which betray the presence of novelistic thinking. This book contains two color photographs. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Petrarca, Francesco, |d 1304-1374. |t Rime. |
| 600 | 1 | 0 | |a Petrarca, Francesco, |d 1304-1374 |x Influence. |
| 600 | 1 | 7 | |a Petrarca, Francesco, |d 1304-1374 |2 fast |
| 630 | 0 | 7 | |a Rime (Petrarca, Francesco) |2 fast |
| 650 | 0 | |a English poetry |y Early modern, 1500-1700 |x History and criticism. | |
| 650 | 0 | |a Sonnets, English |x History and criticism. | |
| 650 | 0 | |a Petrarchism. | |
| 650 | 6 | |a Pétrarquisme. | |
| 650 | 7 | |a POETRY |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a English poetry |x Early modern |2 fast | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast | |
| 650 | 7 | |a Petrarchism |2 fast | |
| 650 | 7 | |a Sonnets, English |2 fast | |
| 650 | 7 | |a English. |2 hilcc | |
| 650 | 7 | |a Languages & Literatures. |2 hilcc | |
| 650 | 7 | |a English Literature. |2 hilcc | |
| 648 | 7 | |a 1500-1700 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Kambaskovic-Sawers, Danijela. |t Constructing Sonnet Sequences in the Late Middle Ages and Renaissance : A Study of Six Poets. |d Lewiston : Edwin Mellen Press, ©2010 |z 9780773437661 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=502357 |z Texto completo |
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