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Thematic and methodological foundations of Alfred Hitchcock's artistic vision /
Although Alfred Hitchcock has been dead for over 24 years, his films still command widespread public interest and appeal. As true classics, they exhibit a persistent power to engage and enchant that transcends the limitations of time and culture. This work explores on a basic level the sources of th...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lewiston :
Edwin Mellen Press,
©2004.
|
| Colección: | Studies in history and criticism of film ;
v. 8. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Drumin, William A. | |
| 245 | 1 | 0 | |a Thematic and methodological foundations of Alfred Hitchcock's artistic vision / |c William A. Drumin. |
| 260 | |a Lewiston : |b Edwin Mellen Press, |c ©2004. | ||
| 300 | |a 1 online resource (vi, 432 pages) | ||
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| 490 | 1 | |a Studies in the history and criticism of film ; |v v. 8 | |
| 504 | |a Includes bibliographical references (pages 425-429) and index. | ||
| 505 | 0 | |a Hitchcock light and dark: The 39 Steps (1935) -- Sabotage (1936) -- Rites of passage: Young and Innocent (1937) -- Shadow of Doubt (1943) -- Recovering innocence: Notorious (1946) -- Saboteur (1942) -- Monsters from the id: Rope (1948) -- Strangers on a Train (1951) -- Telling illusion from reality: Stage Fright (1950) -- Rear Window (1954) -- Metaphysical excursions: Vertigo (1958) -- The Birds (1963) -- Hitchcock dark and light, reprised: Frenzy (1972) -- North by Northwest (1959) -- Summary: Hitchcock's major philosophical themes -- Appendices: cinematic explorations of consciousness: Suspicion (1941) -- Breakdown (TV short film, 1955). | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Although Alfred Hitchcock has been dead for over 24 years, his films still command widespread public interest and appeal. As true classics, they exhibit a persistent power to engage and enchant that transcends the limitations of time and culture. This work explores on a basic level the sources of the dramatic power of Hitchcock's films. An introductory chapter gives a brief outline of Hitchcock's career and the primary features of his approach to filmmaking. A concluding chapter surveys the elements of Hitchcock's humanistic vision. Two appendices illustrate Hitchcock's power to reveal inner c. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Hitchcock, Alfred, |d 1899-1980 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Hitchcock, Alfred, |d 1899-1980 |2 fast |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Drumin, William A. |t Thematic and methodological foundations of Alfred Hitchcock's artistic vision. |d Lewiston : Edwin Mellen Press, ©2004 |z 0773462929 |w (DLC) 2004060985 |w (OCoLC)56755708 |
| 830 | 0 | |a Studies in history and criticism of film ; |v v. 8. | |
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