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The witch in the Western imagination /

In an exciting new approach to witchcraft studies, The Witch in the Western Imagination examines the visual representation of witches in early modern Europe. With vibrant and lucid prose, Lyndal Roper moves away from the typical witchcraft studies on trials, beliefs, and communal dynamics and instea...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Roper, Lyndal
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Charlottesville : University of Virginia Press, 2012.
Colección:Richard lectures ; 1998.
Studies in early modern German history.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The witch in the Western imagination /  |c Lyndal Roper. 
260 |a Charlottesville :  |b University of Virginia Press,  |c 2012. 
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490 1 |a Richard lectures for 1998 
490 1 |a Studies in early modern German history 
504 |a Includes bibliographical references and index. 
505 0 |a Witchcraft and the Western imagination -- The gorgon of Augsburg -- Dürer's empty frame -- Envy -- Witchcraft and village drama -- Witches' children -- The suicidal student. 
588 0 |a Print version record. 
520 |a In an exciting new approach to witchcraft studies, The Witch in the Western Imagination examines the visual representation of witches in early modern Europe. With vibrant and lucid prose, Lyndal Roper moves away from the typical witchcraft studies on trials, beliefs, and communal dynamics and instead considers the witch as a symbolic and malleable figure through a broad sweep of topics and time periods. Employing a wide selection of archival, literary, and visual materials, Roper presents a series of thematic studies that range from the role of emotions in Renaissance culture to demonology as entertainment, and from witchcraft as female embodiment to the clash of cultures on the brink of the Enlightenment. Rather than providing a vast synthesis or survey, this book is questioning and exploratory in nature and illuminates our understanding of the mental and psychic worlds of people in premodern Europe. Roper's spectrum of theoretical interests will engage readers interested in cultural history, psychoanalytic theory, feminist theory, art history, and early modern European studies. These essays, three of which appear here for the first time in print, are complemented by more than forty images, from iconic paintings to marginal drawings on murals or picture frames. In her unique focus on the imagery of witchcraft, Lyndal Roper has succeeded in adding a compelling new dimension to the study of witchcraft in early modern Europe.--Publisher website. 
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830 0 |a Studies in early modern German history. 
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