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Modernism, imperialism, and the historical sense /

"Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist aesthetic forms and structures of empire in the t...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Stasi, Paul, 1972-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge : Cambridge University Press, 2012.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Stasi, Paul,  |d 1972- 
245 1 0 |a Modernism, imperialism, and the historical sense /  |c Paul Stasi. 
260 |a Cambridge :  |b Cambridge University Press,  |c 2012. 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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500 |a Revision of the author's doctoral thesis, University of California, Berkeley, 2006. 
520 |a "Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist aesthetic forms and structures of empire in the twentieth century. Stasi's text offers new readings of James Joyce, Ezra Pound, T.S. Eliot and Virginia Woolf by situating their work within an early moment of globalization. By combining the insights of Marxist historiography, aesthetic theory and postcolonial criticism, Stasi's careful analysis reveals how these authors' aesthetic forms responded to, and helped shape, their unique historical moment. Written with a wide readership in mind, this book will appeal especially to scholars of British and American literature as well as students of literary criticism and postcolonial studies"--  |c Provided by publisher 
504 |a Includes bibliographical references and index. 
505 0 |a Cover; MODERNISM, IMPERIALISM, AND THE HISTORICAL SENSE; Title; Copyright; Contents; Acknowledgments; Abbreviations; Introduction: Imperial structures of feeling; HERE COMES EVERYBODY; IMPERIAL STRUCTURES OF FEELING; THE VOYAGE IN; 1: The persistence of the past: Modernism vs. imperial time; THE DISCOURSE OF EMPIRE; THE FLÂNEUR, OR THE COMMODITY FORM OF THE MAN OF LETTERS; 1848 AND THE IDEOLOGY OF MODERNISM; REVOLVING WORLDS; 2: The Waste Land and the unreal center of capitalist modernity; A GHOSTLY TRAIL OF REFERENCE; THE BACKGROUND OF SOCIAL REALITY; MAKING THE "UNREAL CITY" REAL. 
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600 1 0 |a Eliot, T. S.  |q (Thomas Stearns),  |d 1888-1965  |x Criticism and interpretation. 
600 1 0 |a Pound, Ezra,  |d 1885-1972  |x Criticism and interpretation. 
600 1 0 |a Joyce, James,  |d 1882-1941  |x Criticism and interpretation. 
600 1 0 |a Woolf, Virginia,  |d 1882-1941  |x Criticism and interpretation. 
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600 1 7 |a Joyce, James,  |d 1882-1941  |2 fast 
600 1 7 |a Pound, Ezra,  |d 1885-1972  |2 fast 
600 1 7 |a Woolf, Virginia,  |d 1882-1941  |2 fast 
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650 0 |a Modernism (Literature)  |z Great Britain. 
650 0 |a Imperialism in literature. 
650 6 |a Modernisme (Littérature)  |z États-Unis. 
650 6 |a Modernisme (Littérature)  |z Grande-Bretagne. 
650 6 |a Impérialisme dans la littérature. 
650 7 |a LITERARY CRITICISM  |x European  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
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