Mozart's Requiem : reception, work, completion /

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A fresh evaluation of Mozart's Requiem which focuses on historical and current understandings in fiction, drama, film, criticism and performance.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Keefe, Simon P., 1968-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, UK ; New York : Cambridge University Press, 2012.
Colección:Music in context.
Temas:
Mozart, Wolfgang Amadeus, > 1756-1791. > Requiem, > K. 626, > D minor.
Mozart, Wolfgang Amadeus > 1756-1791 > Requiem > KV 626
Requiem (Mozart, Wolfgang Amadeus)
RELIGION > Christian Rituals & Practice > General.
Acceso en línea:Texto completo

MARC

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100 1 |a Keefe, Simon P.,  |d 1968- 
245 1 0 |a Mozart's Requiem :  |b reception, work, completion /  |c Simon P. Keefe. 
260 |a Cambridge, UK ;  |a New York :  |b Cambridge University Press,  |c 2012. 
300 |a 1 online resource (xiii, 263 pages) :  |b illustrations 
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490 1 |a Music in context 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Cover; Mozart's Requiem; Series editors; Title; Copyright; Didection; Contents; Music examples; Tables; Acknowledgements; Introduction: Mozart's Requiem in context; 1: The Requiem legend in the nineteenth and twentieth centuries; The legend of Mozart's Requiem in the nineteenth century; The Requiem in nineteenth-century fiction, drama and poetry; The Requiem legend in the twentieth century; Conclusion; 2: Criticism and scholarship from 1800 to the present day; Nineteenth-century critical discussion of the Requiem; Early criticism, to 1824; The years of the Requiem-Streit, 1825-1842; 1842-1900. 
505 8 |a 20th -and 21st-century criticism and scholarship1900-1950; From 1950 onwards; Conclusion; 3: The Requiem in performance; Nineteenth-century editions; Nineteenth-century performances; 20th- and 21st-century performances and recordings; Conclusion; 4: Mozart's work on the Requiem: sounds and strategies; Sounds and strategies in the Requiem; Introit; Kyrie; The Sequence: Dies irae; The Sequence: Tuba mirum; The Sequence: Rex tremendae; The Sequence: Recordare; The Sequence: Confutatis; The Sequence: Lacrymosa; The Offertory: Domine Jesu; The Offertory: Hostias. 
505 8 |a Requiem sounds and strategies in contextConclusion; 5: After Mozart: the Requiem completion, 1791-1792; The orchestration of the Sequence and the Offertory; The Sequence: Dies irae; The Sequence: Tuba mirum; The Sequence: Rex tremendae; The Sequence: Recordare; The Sequence: Confutatis; The Sequence: Lacrymosa; The Offertory: Domine Jesu and Hostias; The Sanctus, Benedictus, Agnus Dei and Communio; Süssmayr's completion in context; Conclusion; 6: Modern completions of the Requiem; Levin, Beyer and Maunder completions; Conclusion; Epilogue: a Requiem for the future. 
505 8 |a Appendix: original text of Franz Xaver Süssmayr's letter to Breitkopf & amp; Härtel (1800)Select bibliography; Index. 
520 |a A fresh evaluation of Mozart's Requiem which focuses on historical and current understandings in fiction, drama, film, criticism and performance. 
546 |a English. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
600 1 0 |a Mozart, Wolfgang Amadeus,  |d 1756-1791.  |t Requiem,  |n K. 626,  |r D minor. 
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600 1 7 |a Mozart, Wolfgang Amadeus  |d 1756-1791  |t Requiem  |n KV 626  |2 gnd 
650 7 |a RELIGION  |x Christian Rituals & Practice  |x General.  |2 bisacsh 
776 0 8 |i Print version:  |a Keefe, Simon P., 1968-  |t Mozart's Requiem.  |d Cambridge, UK ; New York : Cambridge University Press, 2012  |z 9780521198370  |w (DLC) 2011053269  |w (OCoLC)772771712 
830 0 |a Music in context. 
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