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|a Steege, Benjamin.
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|a Helmholtz and the modern listener /
|c Benjamin Steege.
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|a Cambridge ;
|a New York :
|b Cambridge University Press,
|c 2012.
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|c ©2012
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|a 1 online resource (xii, 282 pages) :
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|a Print version record.
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|a Includes bibliographical references (pages 252-276) and index.
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|a Cover; Helmholtz and the Modern Listener; Title; Copyright; Contents; Illustrations; Acknowledgments; Chronology; Introduction; Henry Higgins, Professor of Phonetics; Helmholtz as modern; 1: Popular sensations; The popular impulse; Renovating musical knowledge; Sensation, interest, value; The wider campaign; 2: Refunctioning the ear; Hearing and erring; The ear and its doubles; Das körperliche Ohr (sensation); Das geistige Ohr (signification); 3: The problem of attention; Temporalities of attention; The third ear; Fixity and difference; Attention and apperception.
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|a 4: Music theory as liberal progressive historyThe theory of "affinity"; The history of "affinity"; Between choice and necessity; The double choice; 5: Voices of reform; Refunctioning the voice; Helmholtz in England: the Tonic Sol-fa Society; "Natural" intonation in theory and practice; Epilogue: Helmholtz and modernism; The modernity of sensation; Helmholtzian Wagnerism?; Schoenberg's Expressionist Empfindungswelt; Max Weber and the modern listener; Conclusion; Bibliography; Index.
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|a Steege explores Helmholtz's significance within a historical shift in the theory and practice of listening in nineteenth-century European culture.
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546 |
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|a English.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Helmholtz, Hermann von,
|d 1821-1894.
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|a Music
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|a Musique
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|a Musique
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|a MUSIC
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|i Print version:
|a Steege, Benjamin.
|t Helmholtz and the modern listener.
|d Cambridge ; New York : Cambridge University Press, 2012
|z 9781107015173
|w (DLC) 2012015500
|w (OCoLC)789149918
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