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Teaching creative writing : practical approaches /
Teaching Creative Writing is designed to showcase practical approaches developed by practitioners in the ever-growing community of writers in higher education. Aimed at enabling those who teach the subject to review, borrow, and adapt ideas, the emphasis throughout is on diversity. Contributions fro...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ely [England] :
Professional and Higher Partnership Ltd.,
2012.
|
| Colección: | Creative writing studies.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Disclaimer
- Series information
- Thematic index
- Foreword
- 1.
- 'Who I am' icebreaker: establishing a group dynamic
- 2.
- Writing animals
- 3.
- Editing fiction: a process for creative critique
- 4.
- On warming up, close reading and sentences
- 5.
- Travel writing
- from classroom to Khartoum
- 6.
- The flexibility of free indirect style
- 7.
- The blue chip exercise: defying a single aspect of 'reality' in short fiction
- 8.
- Teaching aspects of minimalism: flash and micro fiction
- 9.
- Out of solitude: collaborative fiction writing.
- 10.
- Being (in)famous: getting into character
- 11.
- Make your own manifesto: a playful approach to purposeful writing
- 12.
- Yoga on the page: moving into writing
- 13.
- Suasoria: arguing for and against a proposition
- 14.
- The (bridal) shop of ideas: shortcuts to inspiration
- 15.
- Using place in prose
- 16.
- Formal verse for the faint-hearted
- 17.
- Stylistic modelling: creative engagement with word classes and syntax
- 18.
- Working with desire to build plot
- 19.
- Poetry out loud: a performance poetry workshop
- 20.
- Using Web 2.0 in the creative writing workshop: blogs and wikis.
- 21.
- Food writing: mobilising the five senses and personal memories
- 22.
- 'Digital lyre': conducting an audio workshop
- 23.
- To You or not to You Using second person in prose
- 24.
- The paperless workshop: save trees, increase interaction, reduce preciousness
- 25.
- Put it on a postcard: capturing the poetic moment in prose
- 26.
- Finding a suitable narrative voice when writing for children
- 27.
- Writing with Shakespeare and Montaigne: past practices for future writers
- 28.
- Earth, Air, Fire and Water: a writing and performance workshop
- 29.
- Gift wraps: a collaborative poetry game.
- 30.
- Write what you know: fictionalising every day experience
- 31.
- Structuring the perfect short story: how to create a strong plot arc
- 32.
- Hands-on activities for experimental drama: crafting and directing spectacles
- 33.
- Exploring multiple viewpoints to create compelling narratives
- 34.
- Teaching the critical reflective essay
- 35.
- How to write a bad poem
- 36.
- Considering connotation: the impact and implications of language in poetry
- 37.
- Whatever!: exploring the 'authentic voice' in young-adult fiction
- 38.
- 'Give and take': getting a stage play on its feet.
- 39.
- Start where you are: read what you know
- 40.
- Writing suspense(fully)
- 41.
- Other talents: 'doing creative (writing)'
- 42.
- Fascinating rhythm: teaching songwriting
- a multi-modal experience
- 43.
- Leaving the comfort zone: against practicality and rationality
- 44.
- Flights of fancy: writing from myth
- 45.
- Found poetry workshop
- 46.
- 30/30 projects: developing a daily writing habit
- 47.
- Using guided walks in creative writing: wandering, observing, describing
- 48.
- Researching for the fiction writer
- 49.
- Writing with the masters: finding creativity in copying.
- 50.
- Describing with feeling: evoking style, tone and emotion in script scene directions.