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The neuro-image : a Deleuzian film-philosophy of digital screen culture /

Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this book approaches twenty-first-century globalized cinema through the concept of the "neuro-image." Pisters explains why this concept has emerged now, a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Pisters, Patricia
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Stanford, California : Stanford University Press, 2012.
Colección:Cultural memory in the present.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Pisters, Patricia. 
245 1 4 |a The neuro-image :  |b a Deleuzian film-philosophy of digital screen culture /  |c Patricia Pisters. 
260 |a Stanford, California :  |b Stanford University Press,  |c 2012. 
300 |a 1 online resource (x, 370 pages). 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Cultural memory in the present 
504 |a Includes bibliographical references and index. 
505 0 |a Schizoid minds, delirium cinema and powers of machines of the invisible -- Illusionary perception and powers of the false -- Surveillance screens and powers of affect -- Signs of time : metaphysics of the brain-screen -- Degrees of belief : epistemology of probabilities -- Expressions of creation : aesthetics of material-force -- The open archive : cinema as world-memory -- Divine in(ter)vention : micropolitics and resistance -- Logistics of perception 2.0 : multiple screens as affective weapons. 
520 |a Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this book approaches twenty-first-century globalized cinema through the concept of the "neuro-image." Pisters explains why this concept has emerged now, and she elaborates its threefold nature through research from three domains--Deleuzian (schizoanalytic) philosophy, digital networked screen culture, and neuroscientific research. These domains return in the book's tripartite structure. Part One, on the brain as "neuroscreen," suggests rich connections between film theor. 
546 |a English. 
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600 1 0 |a Deleuze, Gilles,  |d 1925-1995. 
600 1 7 |a Deleuze, Gilles,  |d 1925-1995  |2 fast 
650 0 |a Digital media  |x Philosophy. 
650 0 |a Digital media  |x Psychological aspects. 
650 0 |a Motion pictures  |x History  |y 21st century. 
650 0 |a Motion pictures  |x Philosophy. 
650 0 |a Motion pictures  |x Psychological aspects. 
650 0 |a Neurosciences and motion pictures. 
650 6 |a Médias numériques  |x Philosophie. 
650 6 |a Médias numériques  |x Aspect psychologique. 
650 6 |a Cinéma  |x Histoire  |y 21e siècle. 
650 6 |a Neurosciences et cinéma. 
650 6 |a Cinéma  |x Philosophie. 
650 6 |a Cinéma  |x Aspect psychologique. 
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650 7 |a Motion pictures  |2 fast 
650 7 |a Motion pictures  |x Philosophy  |2 fast 
650 7 |a Motion pictures  |x Psychological aspects  |2 fast 
650 7 |a Neurosciences and motion pictures  |2 fast 
648 7 |a 2000-2099  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Pisters, Patricia.  |t Neuro-image.  |d Stanford, California : Stanford University Press, 2012  |w (DLC) 2011045585 
830 0 |a Cultural memory in the present. 
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