Optical Allusions : Screens, Paintings, and Poetry in Classical Japan (ca. 800-1200).
In Optical Allusions: Screens, Paintings, and Poetry in Classical Japan (ca. 800-1200), Joseph T. Sorensen illustrates how painted screens and other visual art objects contributed to the development of some of the essential characteristics of Japanese court poetry.
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Leiden :
BRILL,
2012.
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Colección: | Brill's Japanese studies library.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- List of Figures and Tables; Acknowledgements; Introduction Thinking with Pictures; The Image and the Origins of Poetry; Experience and Ekphrasis; Painting and Poetic Essence; Optical Allusions: Image and Code; The Paths of Japanese Screen Poetry; Chapter One Screens and Poems, Contexts and Images; Folding Screens in Japan; Screens and Their Contexts; Early Painting-Poems in Chinese; Early Poems on Paintings in Japanese; Chapter Two The Efflorescence of Screen Poetry; Inscription and Perspective; Tsurayuki and Screen Poetry: Layered Perspective and Ekphrasis.
- Mitsune and Screen Poetry: Sense and SensibilityLady Ise and Screen Poetry: Persona and Narrative; Reading, Viewing, Composing; Chapter Three The Dai Is Cast; Topical Convention vs. Lyric Expression; Early Dai: Visual Perception and Direct Experience; Folding Screens and Visual Topics; Screen Painting and Poetic Topic Development; Visual Thinking and Perceptual Cycles; Chapter Four Politics and Precedence; Screen Poetry and Shōshi's Court Entrance of 999; Screen Poetry and Ninshi's Court Entrance of 1190; Conclusion Poetic Conception, Poetic Vision.
- Appendix A Screen Poems Predating Kokinshū (905)Appendix B Translation from Tales of Times Now Past; Bibliography; Index.