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A History of the Oratorio, Vol. 2 : the Oratorio in the Baroque Era.
History of the Oratorio: Vol. 2: the Oratorio in the Baroque Era: Protestant Germany and England.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chapel Hill :
The University of North Carolina Press,
1977.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Smither, Howard E. | |
| 245 | 1 | 2 | |a A History of the Oratorio, Vol. 2 : |b the Oratorio in the Baroque Era. |
| 260 | |a Chapel Hill : |b The University of North Carolina Press, |c 1977. | ||
| 300 | |a 1 online resource (420 pages) | ||
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| 505 | 0 | |a Cover; Contents; Preface; Abbreviations; PART I: Protestant Germany: The Seventeenth-Century Antecedents and Origins; I. The Lutheran Historia and Passion; The Lutheran Historia before Schütz; The Historiae of Schütz; The Actus Musicus and the Later Historia; The Oratorio Passion; II. The Sacred Dramatic Dialogue and Other Genres; The Early Dialogue; The Concertato Dialogue; Examples of Dramatic Dialogues; Other Sacred Dramatic Genres; III. Buxtehude and the Lübeck Abendmusiken; The Origin and Social Context of the Abendmusiken; Some Works for the Abendmusiken. | |
| 505 | 8 | |a PART II: Protestant Germany: The Early Eighteenth-Century OratorioIV. Terminology, Social Contexts, Composers, Poets; Terminology; Social Contexts, Composers, Poets; V. The Libretto and the Music; The Libretto; The Music; Some Examples; PART III: Handel and the English Oratorio; VI. Antecedents and Origins; Antecedents in Seventeenth-Century England; Handel the Opera Composer in England; Antecedents in Handel's English Music; The Beginning of the English Oratorio: 1718, 1732--33; An Interlude: 1733--38; VII. The First Mature Period of Handel's English Oratorio: 1738--1745; The Oratorios of 1738. | |
| 505 | 8 | |a An Interlude: 1739--1741The Oratorios of 1741--1744; VIII. Handel's Later Oratorios; Four "Occasional" Oratorios: 1746--1748; The Last Four Oratorios: 1748--1752; The Chief Characteristics of Handel's Oratorios; Some Contemporaries of Handel; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Z. | |
| 500 | |a Written by an eminent scholar in a style that represents American musicological writing at its communicative best, A History of the Oratorio offers a synthesis and critical appraisal so exhaustive and reliable that the serious student of the oratorio will be compelled to look to these volumes as an indispensable source. No work on the history of the oratorio has yet appeared in the English language that is comparable in scope and treatment with Howard Smither's comprehensive four-volume work. The first part of volume 2 examines in depth the antecedents and origins of the oratorio in Protestant. | ||
| 520 | |a History of the Oratorio: Vol. 2: the Oratorio in the Baroque Era: Protestant Germany and England. | ||
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| 776 | 0 | 8 | |i Print version: |a Smither, Howard E. |t A History of the Oratorio, Vol. 2 : The Oratorio in the Baroque Era. |d Chapel Hill : The University of North Carolina Press, ©1977 |z 9780807812945 |
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