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Platonic drama and its ancient reception /
"As prose dramatic texts Plato's dialogues would have been read by their original audience as an alternative type of theatrical composition. The 'paradox' of the dialogue form is explained by his appropriation of the discourse of theatre, the dominant public mode of communication...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2012.
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| Colección: | Cambridge classical studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Charalabopoulos, Nikos G., |d 1969- | |
| 245 | 1 | 0 | |a Platonic drama and its ancient reception / |c Nikos G. Charalabopoulos, University of Patras, Greece. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2012. | ||
| 300 | |a 1 online resource (xxi, 331 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Cambridge classical studies | |
| 504 | |a Includes bibliographical references (pages 268-316) and indexes. | ||
| 505 | 0 | |a 1. Setting the stage -- 2. The metatheatre of dialogue -- 3. Performing Plato -- 4. Plato's theatre: the fragments --5. Finale -- Appendix: an Academy inscription. | |
| 520 | |a "As prose dramatic texts Plato's dialogues would have been read by their original audience as an alternative type of theatrical composition. The 'paradox' of the dialogue form is explained by his appropriation of the discourse of theatre, the dominant public mode of communication of his time. The oral performance of his works is suggested both by the pragmatics of the publication of literary texts in the classical period and by his original role as a Sokratic dialogue-writer and the creator of a fourth dramatic genre. Support comes from a number of pieces of evidence, from a statue of Sokrates in the Academy (fourth century BC) to a mosaic of Sokrates in Mytilene (fourth century AD), which point to a centuries-old tradition of treating the dialogues in the context of performance literature and testify to the significance of the image of 'Plato the prose dramatist' for his original and subsequent audiences"-- |c Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
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| 600 | 0 | 0 | |a Plato |x Criticism and interpretation. |
| 600 | 0 | 0 | |a Plato. |t Dialogues. |
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| 630 | 0 | 7 | |a Dialogues (Plato) |2 fast |
| 650 | 0 | |a Greek literature |x History and criticism. | |
| 650 | 6 | |a Littérature grecque |x Histoire et critique. | |
| 650 | 7 | |a LITERARY COLLECTIONS |x Ancient, Classical & Medieval. |2 bisacsh | |
| 650 | 7 | |a PHILOSOPHY |x History & Surveys |x Ancient & Classical. |2 bisacsh | |
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| 650 | 7 | |a Grekisk litteratur |x historia. |2 sao | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Charalabopoulos, Nikos G., 1969- |t Platonic drama and its ancient reception. |d Cambridge ; New York : Cambridge University Press, 2012 |z 9780521871747 |w (DLC) 2012002189 |w (OCoLC)775590856 |
| 830 | 0 | |a Cambridge classical studies. | |
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