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Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) /
This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Francés |
| Publicado: |
Lewiston :
Edwin Mellen Press,
2012.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ma 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocn796384762 | ||
| 003 | OCoLC | ||
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| 100 | 1 | |a Walker-Morrison, Deborah. | |
| 245 | 1 | 3 | |a Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = |b The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) / |c Deborah Walker-Morrison ; avant-propos en anglais de de Francois Thomas. |
| 246 | 3 | 1 | |a Film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) |
| 260 | |a Lewiston : |b Edwin Mellen Press, |c 2012. | ||
| 300 | |a 1 online resource (282 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to postmodern, deconstructionist movements towards a de-centered storyline and subject. | ||
| 505 | 0 | |a Title Page; Copyright Page; Dedication Page; Sommaire; Foreword; Remerciments; Introduction; Partie I: Introduction; Chapitre 1: 1. Subjectivite: Reflexivite; PostmoderniteAlain Resnais, Vers Une Sagesse Du Postmoderne; Partie 2: Enjeux De La Forme dans On Connait La Chanson; Chapitre 2: L'Enonciation Enoncee; Chapitre 3:Sur Les Traces Du Sujet; Partie III: Mise En Ecart Et Fragmentation; Chapitre 4: De La Mise En Abyme A La Mise En Ecart; Chapitre 5: La Mise En Ecart Du Sujet; Chapitre 6: Histoire, Memoire, Imaginaire; Partie IV: Intertextualite et Reinvention. | |
| 546 | |a French. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Resnais, Alain, |d 1922-2014 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Resnais, Alain, |d 1922-2014 |2 fast |0 (OCoLC)fst00015596 |
| 650 | 4 | |a Fine Arts. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a Music, Dance, Drama & Film. |2 hilcc | |
| 650 | 7 | |a Film. |2 hilcc | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Walker-Morrison, Deborah. |t Style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) / The Film Style of Alain Resnais : Hiroshima mon amour (1959) to Wild Grass (2009). |d Lewiston : Edwin Mellen Press, ©2012 |z 9780773426306 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=462499 |z Texto completo |
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