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Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) /
This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Francés |
| Publicado: |
Lewiston :
Edwin Mellen Press,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
| Sumario: | This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to postmodern, deconstructionist movements towards a de-centered storyline and subject. |
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| Descripción Física: | 1 online resource (282 pages) |
| Bibliografía: | Includes bibliographical references and index. |
| ISBN: | 9780773411388 0773411380 |