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The cinematic mode of production : attention economy and the society of the spectacle /
A revolutionary reconceptualization of capital and perception during the twentieth century.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hanover, N.H. :
Dartmouth College Press,
©2006.
|
| Colección: | Interfaces, studies in visual culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Beller, Jonathan. | |
| 245 | 1 | 4 | |a The cinematic mode of production : |b attention economy and the society of the spectacle / |c Jonathan Beller. |
| 260 | |a Hanover, N.H. : |b Dartmouth College Press, |c ©2006. | ||
| 300 | |a 1 online resource (332 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Interfaces, studies in visual culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: The political economy of the postmodern. Circulation: Dziga Vertov and the film of money -- Production: The spectatorship of the proletariat -- The unconscious: the unconscious of the unconscious, or, the work of consciousness in the age of technological imagination -- Inspiration of objects, expiration of words: cinema, capital of the twentieth century -- The pyrotechnics of control: numismatics of the sensual, calculus of the image -- Proprioception: killer-eye, killer world: the media-environment for natural born killers. Epilogue: Paying attention. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [S.l.] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 520 | |a A revolutionary reconceptualization of capital and perception during the twentieth century. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348 | |
| 650 | 7 | |a Philosophie |2 gnd | |
| 650 | 0 | 7 | |a Film. |2 swd |
| 776 | 0 | 8 | |i Print version: |a Beller, Jonathan. |t Cinematic mode of production. |d Hanover, N.H. : Dartmouth College Press, ©2006 |z 9781584655824 |w (DLC) 2006024629 |w (OCoLC)70775696 |
| 830 | 0 | |a Interfaces, studies in visual culture. | |
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