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00000cam a2200000Ma 4500 |
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EBSCO_ocn794493255 |
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OCoLC |
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20231017213018.0 |
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m o d |
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120510s2010 enka o 001 0 eng d |
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019 |
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|a 963748897
|a 1053885446
|a 1083602193
|a 1259142232
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|a 9781780670706
|q (electronic bk.)
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|a 1780670702
|q (electronic bk.)
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|z 1780670702
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|z 1856696405
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|z 9781856696401
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|b 000055813566
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|a (OCoLC)794493255
|z (OCoLC)963748897
|z (OCoLC)1053885446
|z (OCoLC)1083602193
|z (OCoLC)1259142232
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|a T396
|b .H84 2010eb
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|a BUS
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|2 bisacsh
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|a 069.5
|2 22
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049 |
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|a UAMI
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100 |
1 |
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|a Hughes, Philip.
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245 |
1 |
0 |
|a Exhibition design /
|c [Philip Hughes].
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260 |
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|a London :
|b Laurence King Pub.,
|c 2010.
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300 |
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|a 1 online resource (224 pages) :
|b illustrations (chiefly color)
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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490 |
1 |
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|a Portfolio
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500 |
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|a Includes index.
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520 |
8 |
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|a Annotation
|b Exhibition Designoffers a thorough grounding in the principles of designing for exhibitions. It describesthe skills needed to become an exhibition designer, including: Developing a brief and working with clients Design principles for graphics, circulation, lighting, and accessibility Presenting ideas to clients The practicalities of productionVisual material includes photographs of completed exhibitions by world-renowned designers, concept drawings, computer renderings, charts, and tables of informationall for a wide range of exhibitions around the world, permanent and temporary, including museums and galleries, visitor centers, brand experiences, festivals, and trade fairs. The book will inform and inspire, as well as equip students and new exhibition designers with a valuable guide to the profession.
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505 |
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|a Introduction; Who is this book for; The modern exhibition; The history of exhibition design; Recent developments; The role of the exhibition designer; How to use this book; Chapter 1: The brief; The nature of a design brief; Should the brief be tightly written?; What kind of language to use; The context document; The exhibition premise or rationale; The storyline; The target audience; Coordinating visits to the exhibition; Activities; The content document; Visitor outcome/messages; Object-based or experience-based; The tone of voice; The client's responsibilities
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505 |
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|a Visual identity and brand informationWorkshop sessions; Do.../Don't...; Chapter 2: The visitor; Engaging the visitor; Layering for diverse audiences; Learning styles; Branding; The brand environment; Children and exhibitions; Teenagers and museums; Designing for disability/accessibility; Do.../Don't...; Chapter 3: The site; The permanent exhibition site; Signposting the exhibition site; Signposting trade fairs; ""Open"" exhibition spaces; ""Closed"" exhibition spaces; Internal orhganization: architecture; Internal organization: content; How to survey a site; Do.../Don't...
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505 |
8 |
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|a Chapter 4: Exhibition strategyWhat is an exhibition strategy?; Classifying the exhibits; Devising a path; The importance of experiences; Do.../Don't...; Chapter 5: 3-D design skills; Generating guiding ideas; Evolving a design; Developing the design using sketches, models and plans; Planning the circulation; Developing elevations; The direction of flow; Do.../Don't...; Chapter 6: 2-D design skills; The role of graphics in an exhibition; Approaches to exhibition design; Design for legibility; Design for readability; Reproducing graphics; Chapter 7: Lighting; How lighting is used in exhibitions
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505 |
8 |
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|a The human eyeSurveying the site; The lighting plan; Exhibit-focused lighting; Types of exhibit-focused lighting; Environmental lighting; Feature lighting; Coloured lighting; Modelling a three-dimensional object; Lighting for comfort; Conservation; Lighting specifications; Trade fairs; Professional practice; Do.../Don't...; Chapter 8: Interaction; Interaction design; The visitor experience; Controls and interactives; Chapter 9: Sound and film; The benefits of sound and film; The immersive environment; Scripted films; Archive footage; Technological devices; The audiovisual brief; The equipment
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505 |
8 |
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|a Do.../Don't...Chapter 10: Materials; Choosing materials; Deciding on suitable materials; Do.../Don't...; Chapter 11: Portable exhibitions; Flexible exhibitions; Chapter 12: Technical drawing; The purpose of tehnical drawings; Labels, details and notes; Official approvals; Tenders; Amending drawings; Do.../Don't...; Chapter 13: Construction and delivery; Construction; Trade fairs; The green agenda; Green dos and don'ts; The designer's responsibilities; Trade practices; Children's exhibits; Project management; Ancillary services; Handover; Do.../Don't...; Chapter 14: Conclusion
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546 |
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|a English.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
650 |
|
0 |
|a Exhibitions
|x Design.
|
650 |
|
0 |
|a Trade shows.
|
650 |
|
0 |
|a Exhibit booths
|x Design and construction.
|
650 |
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6 |
|a Salons professionnels.
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650 |
|
7 |
|a trade shows.
|2 aat
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650 |
|
7 |
|a BUSINESS & ECONOMICS
|x Museum Administration & Museology.
|2 bisacsh
|
650 |
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7 |
|a REFERENCE
|x General.
|2 bisacsh
|
650 |
|
7 |
|a TRAVEL
|x Museums, Tours, Points of Interest.
|2 bisacsh
|
650 |
|
7 |
|a Exhibit booths
|x Design and construction.
|2 fast
|0 (OCoLC)fst00918083
|
650 |
|
7 |
|a Exhibitions
|x Design.
|2 fast
|0 (OCoLC)fst00918105
|
650 |
|
7 |
|a Trade shows.
|2 fast
|0 (OCoLC)fst01153877
|
830 |
|
0 |
|a Portfolio.
|
856 |
4 |
0 |
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|z Texto completo
|
938 |
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|a Internet Archive
|b INAR
|n exhibitiondesign0000hugh
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|a EBL - Ebook Library
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|n EBL1876089
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|a EBSCOhost
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|n 910082
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
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938 |
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|a YBP Library Services
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|
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