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Shakespeare in the eighteenth century /
Examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2012.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Shakespeare in the eighteenth century / |c edited by Fiona Ritchie, Peter Sabor. |
| 246 | 3 | |a Shakespeare in the 18th century | |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2012. | ||
| 300 | |a 1 online resource (xiii, 454 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a data file | ||
| 505 | 0 | |a Cover; SHAKESPEARE IN THE EIGHTEENTH CENTURY; Title; Copyright; Contents; Illustrations; Contributors; Acknowledgements; Short titles; Introduction; I; II; III; NOTES; PART I: The dissemination and reception of Shakespeare in print; CHAPTER 1: Editing and publishing Shakespeare; NOTES; CHAPTER 2: Criticism of Shakespeare; NOTES; CHAPTER 3: Shakespeare in the reviews; NOTES; CHAPTER 4: Shakespeare discoveries and forgeries; LEWIS THEOBALD'S 'DOUBLE FALSHOOD' AND THECULTURAL POLITICS OF THE 1720S; THE AUTHENTICITY OF 'DOUBLE FALSHOOD'; FORGERY: IRELANDS VORTIGERN;́ NOTES. | |
| 505 | 8 | |a PART II: Shakespeare in literatureCHAPTER 5: Shakespeare in poetry; NOTES; CHAPTER 6: Shakespeare in the novel; POLITICAL SHAKESPEARE; WELL READ IN SHAKESPEARE; SHAKESPEARE INDUSTRIES; EVERY MAN'S SHAKESPEARE; NOTES; CHAPTER 7: Shakespeare in drama; NOTES; PART III: Shakespeare on the stage; CHAPTER 8: Shakespeare and the London stage; PROLOGUE SPOKEN BY MR GARRICK; REPERTOIRE; SCENES; WIGS; EPILOGUE SPOKEN BY MRS WOFFINGTON; NOTES; CHAPTER 9: Shakespeare adaptation; NOTES; CHAPTER 10: Shakespeare and opera; 'THE TEMPEST' -- THE STORM IN ENGLISH AND GERMAN OPERA. | |
| 505 | 8 | |a 'A MIDSUMMER NIGHT'S DREAM' -- ENGLISH OPERA REDUX'ROMEO AND JULIET' -- SERIOUS GERMAN OPERA AS AN IDEAL; 'THE MERRY WIVES OF WINDSOR' -- THE ALL-SUNG FINALE; CONCLUSION; NOTES; PART IV: Memorializing Shakespeare; CHAPTER 11: Shakespeare and the visual arts; NOTES; CHAPTER 12: Shakespeare and the Stratford Jubilee; THE LANGUAGES OF THE JUBILEE; PROTEAN SHAKESPEARE; JUBILEE STORIES; NOTES; CHAPTER 13: Shakespeare and English nationalism; NOTES; PART V: Shakespeare in the wider world; CHAPTER 14: Shakespeare and the French Revolution; SCHOLARSHIP, POLITICS AND HISTORY. | |
| 505 | 8 | |a POLITICAL AND DIDACTIC ADAPTATIONADAPTATION AND PERFORMANCE; NOTES; CHAPTER 15: Shakespeare and Germany; NOTES; CHAPTER 16: Shakespeare and philosophy; THE EIGHTEENTH-CENTURY PHILOSOPHERS; PHILOSOPHICAL VALUE: EDITORS, CRITICS AND AESTHETICIANS; ISSUES IN PHILOSOPHY; NOTES; Reference guide to Shakespeare in the eighteenth century; 1 EDITING, ANNOTATING AND PUBLISHING SHAKESPEARE; 1 .1 MAJOR EIGHTEENTH-CENTURY EDITIONS; ROWE; POPE; THEOBALD; HANMER; WARBURTON; SCOTTISH EDITIONS; JOHNSON; JOHNSON, STEEVENS AND REED; CAPELL; MALONE; OTHER. | |
| 505 | 8 | |a 1.2 shakespeare editors and critics: thumbnail biographies1.3 modern critical studies: editing and annotation; 2 eighteenth-century critical commentary; 2.1 a chronological checklist of eighteenth-century critical works; restoration critical statements; 1701-1729; 1730-1749; 1750-1759; 1760-1769; 1770-1779; 1780-1789; 1790-1799; 2.2 modern reprints of and guides to eighteenth-century shakespeare criticism; 2.3 modern scholarly studies of eighteenth-centuryshakespeare criticism; 2.4 periodical essays and performance reviews; major book review periodicals. | |
| 500 | |a General magazines with occasional book reviews. | ||
| 520 | |a Examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation |x History |y 18th century. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Influence. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |0 (OCoLC)fst00029048 |
| 651 | 0 | |a English-speaking countries |x Intellectual life |y 18th century. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast |0 (OCoLC)fst00972484 | |
| 650 | 7 | |a Intellectual life. |2 fast |0 (OCoLC)fst00975769 | |
| 651 | 7 | |a English-speaking countries. |2 fast |0 (OCoLC)fst01261775 | |
| 648 | 7 | |a 1700-1799 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 700 | 1 | |a Ritchie, Fiona. | |
| 700 | 1 | |a Sabor, Peter. | |
| 776 | 0 | 8 | |i Print version: |t Shakespeare in the eighteenth century. |d Cambridge ; New York : Cambridge University Press, 2012 |z 9780521898607 |w (DLC) 2011042776 |w (OCoLC)759491757 |
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