Choral Fantasies : Music, Festivity, and Nationhood in Nineteenth-Century Germany.
The first study to connect the exponential growth in amateur choral singing to the culture of public celebrations and festivals.
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Cambridge :
Cambridge University Press,
2012.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Choral Fantasies; Title; Copyright; Contents; Illustrations; Acknowledgements; Introduction; 1: Choral fantasies from Beethoven to the Vormärz; The choral fantasies of Beethoven and "Kuffner"; Singing and/as society; Institutions, festivals, and the Volk; A different choral fantasy; 2: Memory and multiplicity in Felix Mendelssohn's "Gutenberg" works; Genre and influence; Songs and deeds; Cultural eclecticism and the bourgeoisie; Imagined sounds and nations; Agency, history, and religion; Plurality vs. personality; 3: Prophet and populace in Liszt's "Beethoven" cantatas; BONN, 1845.
- Monuments and monumentalityMusic and presence; WEIMAR, 1870; Absence and telos; A TEMPORARY RETREAT; 4: Songs and states in Brahms's Triumphlied and Wagner's Kaisermarsch; Liberalism and song in the early Gründerzeit; Shock and awe; Brahms's aesthetics of participation; Participation in context: Volksgesang vs. folksong; Nation and religion; Telling history, enacting history; 5: Occasions and nations in Brahms's Fest- und Gedenksprüche; Origins, occasions, obfuscations; Titles and genres; Fathers, sons, nations; Music and performance; A look ahead (and back); Notes to the text; Introduction.
- Chapter 1: Choral fantasies from Beethoven to the VormärzChapter 2: Memory and multiplicity in Felix Mendelssohn's "Gutenberg" works; Chapter 3: Prophet and populace in Liszt's "Beethoven" cantatas; Chapter 4: Songs and states in Brahms's Triumphlied and Wagner's Kaisermarsch; Chapter 5: Occasions and nations in Brahms's Fest- und Gedenksprüche; Bibliography; Anonymous Sources; Index.