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What is opera and how does it work? How has this dramatic form developed and what is its relevance in the modern world? Perfect for music students and opera-goers, this introductory guide addresses these questions and many more, exploring opera as a complete theatrical experience. Organised chronolo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Cambridge University Press,
2012.
|
| Colección: | Cambridge introductions to music.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cannon, Robert, |d 1947- |e author. | |
| 245 | 1 | 0 | |a Opera / |c Robert Cannon. |
| 264 | 1 | |a New York : |b Cambridge University Press, |c 2012. | |
| 300 | |a 1 online resource (xvii, 431 pages) : |b illustrations | ||
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| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Cambridge introductions to music | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Part I : The seventeenth and eighteenth centuries. Pre-operatic forms -- First operatic forms -- Formalisation -- Reform : the reintegration of elements -- Comedy and the 'real world' -- Authentic performance -- -- Part II : The nineteenth century. Romanticism and romantic opera in Germany -- Opera in nineteenth-century Italy -- Grand opéra and the visual language of opera -- The Wagnerian revolution -- Nationalists : vernacular language and music -- The role of the singer -- -- Part III : The twentieth and twenty-first centuries. The turn of the century and the crisis in opera -- First modernism : Symbolist and Expressionist opera -- The dramaturgy of opera : libretto -- words and structures -- Narrative opera : realistic and non-realistic -- Radical narratives -- Directors and the direction of opera. | |
| 520 | |a What is opera and how does it work? How has this dramatic form developed and what is its relevance in the modern world? Perfect for music students and opera-goers, this introductory guide addresses these questions and many more, exploring opera as a complete theatrical experience. Organised chronologically and avoiding technical musical terminology, the book clearly demonstrates how opera reflected and reacted to changes in the world around it. A special feature of the volume is the inclusion of illustrative tables throughout. These provide detailed, easy to follow analysis of arias, scenes and acts; visual guides to historical movements; and chronologies relating to genres and individual composers' works. Overall, the book fosters an understanding of opera as a living form as it encounters and uses material from an ever expanding repertoire in time, place and culture. | ||
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