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Fatalism in American film noir : some cinematic philosophy /
This book reveals the ways in which American film noir explore the declining credibility of individuals as causal centers of agency, and how we live with the acknowledgment of such limitations.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Charlottesville :
University of Virginia Press,
2012.
|
| Colección: | Page-Barbour lectures for 2010.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Pippin, Robert B., |d 1948- | |
| 245 | 1 | 0 | |a Fatalism in American film noir : |b some cinematic philosophy / |c Robert B. Pippin. |
| 260 | |a Charlottesville : |b University of Virginia Press, |c 2012. | ||
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Page-Barbour lectures for 2010 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Trapped by oneself in Jacques Tourneur's Out of the past -- "A deliberate, intentional fool" in Orson Welles's The lady from Shanghai -- Sexual agency in Fritz Lang's Scarlet Street -- "Why didn't you shoot again, baby?": concluding remarks. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 520 | |a This book reveals the ways in which American film noir explore the declining credibility of individuals as causal centers of agency, and how we live with the acknowledgment of such limitations. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 7 | |a Tourneur, Jacques |d 1904-1977 |2 gnd |
| 600 | 1 | 7 | |a Welles, Orson |d 1915-1985 |2 gnd |
| 600 | 1 | 7 | |a Lang, Fritz |d 1890-1976 |2 gnd |
| 650 | 0 | |a Film noir |z United States |x History and criticism. | |
| 650 | 0 | |a Fate and fatalism in motion pictures. | |
| 650 | 6 | |a Films noirs |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Destin et fatalisme au cinéma. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Fate and fatalism in motion pictures |2 fast | |
| 650 | 7 | |a Film noir |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 650 | 7 | |a Film noir |2 gnd | |
| 650 | 7 | |a Schicksal |g Motiv |2 gnd | |
| 650 | 7 | |a Fatalismus |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Pippin, Robert B., 1948- |t Fatalism in American film noir. |d Charlottesville : University of Virginia Press, 2012 |z 9780813931890 |w (DLC) 2011018971 |w (OCoLC)727126682 |
| 830 | 0 | |a Page-Barbour lectures for 2010. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=452282 |z Texto completo |
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