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The radical use of chance in 20th century art /
To many, chance and art are antagonistic terms. But a number of 20th century artists have turned this notion on its head by attempting to create artworks based on randomness. Among those, three in particular articulated a well-argued and thorough theory of the radical use of chance in art: André Br...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
New York :
Rodopi,
2012.
|
| Colección: | Faux titre ;
no. 366. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Lejeune, Denis. | |
| 245 | 1 | 4 | |a The radical use of chance in 20th century art / |c Denis Lejeune. |
| 260 | |a New York : |b Rodopi, |c 2012. | ||
| 300 | |a 1 online resource (275 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Faux titre ; |v 366 | |
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a ""Cover""; ""Title Page""; ""Copyright Page""; ""Table of Contents""; ""General Introduction""; ""1. The Rise of Chance in Modern Sciences""; ""Chao ab ordo""; ""Modern sciences""; ""Summary""; ""Part I""; ""2. The Tribulations of Chance within Philosophical Thought""; ""Determinism""; ""Religious Determinism""; ""Materialistic Determinism""; ""Free agency""; ""Implications of Determinism for chance""; ""The possibility of chance within Determinism""; ""Mobilism: toward an alternative to Determinism""; ""3. The Philosophy of Clément Rosset""; ""Setting the tone""; ""Chance and reality"" | |
| 505 | 8 | |a ""€?Le tragiqueâ€?, approbation and â€?joie de vivreâ€?""""Duplicates""; ""Freedom""; ""Conclusion""; ""Part II""; ""4. The Dialogue of Chance and the Arts""; ""A close bond""; ""Chance: a new history of literature""; ""Chance as a theme""; ""Fruitfulness""; ""Summary""; ""5. André Breton""; ""Chance in the works of André Breton""; ""Chance in the thought of André Breton""; ""Bretonâ€?s chance, Rossetâ€?s chance â€? comparison and contrast""; ""Conclusion""; ""6. FranÃois Morellet""; ""Short contextualisation""; ""Chance in the works of FranÃois Morellet"" | |
| 505 | 8 | |a ""Chance in the thought of FranÃois Morellet""""Morelletâ€?s chance, Rossetâ€?s chance â€? comparison and contrast""; ""Conclusion""; ""7. John Cage""; ""Chance in the works of John Cage""; ""Chance in the thought of John Cage""; ""Cageâ€?s chance, Rossetâ€?s chance â€? comparison and contrast""; ""Conclusion""; ""General conclusion""; ""On the relationship between Artificialism and chance-as-art""; ""The possibility of chance-as-art""; ""The future of chance? ""; ""Bibliography""; ""Appendix 1 (Interview with Clément Rosset)""; ""Appendix 2 (Interview with FranÃois Morellet)"" | |
| 520 | |a To many, chance and art are antagonistic terms. But a number of 20th century artists have turned this notion on its head by attempting to create artworks based on randomness. Among those, three in particular articulated a well-argued and thorough theory of the radical use of chance in art: André Breton (writer), John Cage (composer) and François Morellet (visual artist). The implications of such a move away from established aesthetics are far-reaching, as much in conceptual as in practical terms, as this book hopes to make clear. Of paramount importance in this coincidentia oppositorum is the suggested possibility of a correlation between the artistic use of chance and a system of thought itself organised around chance. Indeed placing randomness at the centre of one’s art may have deeper philosophical consequences than just on the aesthetical level. | ||
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| 830 | 0 | |a Faux titre ; |v no. 366. | |
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