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|a Acosta-Hughes, Benjamin,
|d 1960-
|e author.
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|a Callimachus in context :
|b from Plato to the Augustan poets /
|c Benjamin Acosta-Hughes and Susan A. Stephens.
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|a Cambridge, UK :
|b Cambridge University Press,
|c 2012.
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|c ©2012
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|a 1 online resource (xviii, 346 pages) :
|b maps
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|a text
|b txt
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|a Cover; CALLIMACHUS IN CONTEXT; Title; Copyright; Contents; Maps; Acknowledgments; Abbreviations; Introduction; CHAPTER 1: Literary quarrels; SUICIDE BY THE BOOK; PLATO IN THE AETIA PROLOGUE; "MIXING IONS"; HIPPONAX AND MIMETIC PLAY; THE POWER OF THE POET; "COMMON THINGS"; THE CROWD; CHAPTER 2: Performing the text; THE SOUNDS OF READING; DRAMATIC PERFORMANCE; LYRIC; THE PAEAN; "LYRICS" FOR ALEXANDRIA; CHORUSES AND CHORAL DANCING; STICHIC METERS; TEXTUAL AND INTERTEXTUAL SYMPOSIA; IN THE PUBLIC SPHERE; IN THE PRIVATE SPHERE; TEXTUAL PERFORMANCE; CHAPTER 3: Changing places; DE-CENTERING GREECE.
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|a CYRENETHE CYRENAICA; ALEXANDRIA; THE ARGIVE ANCESTORS; THE "CAUSES" OF ALEXANDRIA; Narrative strategies; The mythological frame: Minos; The mythological frame: the Argonauts; The mythological frame: Heracles; The mythological frame: the Danaids; EGYPT; THE HEROES OF TROY AND THEIR NOSTOI; THE PTOLEMIES; ATTICA VIEWED FROM ALEXANDRIA; THE NEW CENTER; CHAPTER 4: In my end is my beginning; EARLY "TRANSLATION"; THE DOCTUS POETA; Batti veteris sacrum sepulcrum; Carmina uti possem mittere battiadae; Arida modo pumice expolitum; Haec expressa tibi carmina Battiadae; Translating Callimachus' Lock.
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|a WRITING FOR ROYALSCALLIMACHUS IN PROPERTIUS; Amor docuit; Acontius and Cydippe; "Callimachus" as a poetics; Propertius and the Callimachean past; THE ROMAN CALLIMACHUS; OVID AND CALLIMACHUS; Callimachus in the canon; Acontius the poet; The panel and the frame; Roman Causes; Conclusions; APPENDIX: The Aetia; Bibliography; Index locorum; Subject index.
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|a New, provocative treatment of the Alexandrian poet Callimachus and his reception, approaching his work from four varied yet complementary angles.
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|a "Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasizes a learned scholar who includes literary criticism within his poetry, an encomiast of the Ptolemies, a poet of the book whose narratives are often understood as metapoetic. This study does not dismiss these Callimachuses, but situates them within a series of interlocking historical and intellectual contexts in order better to understand how they arose. In this narrative of his poetics and poetic reception four main sources of creative opportunism are identified: Callimachus' reactions to philosophers and literary critics as arbiters of poetic authority, the potential of the text as a venue for performance, awareness of Alexandria as a new place, and finally, his attraction for Roman poets"--
|c Provided by publisher.
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|a Print version record.
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|a Includes bibliographical references and index.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Callimachus
|x Criticism and interpretation.
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|a Callimachus
|x Appreciation
|z Rome.
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|a Callimachus
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|a Callimachus
|d ca. v300-v240
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|a Callimachus.
|2 swd
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|a Aesthetics, Ancient.
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|a Alexandria (Egypt)
|x Intellectual life.
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|a Esthétique ancienne.
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|a LITERARY COLLECTIONS
|x Ancient, Classical & Medieval.
|2 bisacsh
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|a Aesthetics, Ancient
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|a Art appreciation
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|a Intellectual life
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|a Egypt
|z Alexandria
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|a Rome (Empire)
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|a Rezeption
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|a Criticism, interpretation, etc.
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|a Stephens, Susan A.,
|e author.
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|i Print version:
|a Acosta-Hughes, Benjamin.
|t Callimachus in Context : From Plato to the Augustan Poets.
|d Cambridge : Cambridge University Press, ©2011
|z 9781107008571
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856 |
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