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How the writings of William Morris shaped the literary style of Tennyson, Swinburne, Gissing, and Yeats : Barthesian re-writings based on the pleasure of distorting repetition /

This text is the first to examine the influence of William Morris on the artistic, literary, and ideological styles of Tennyson, Swinburne, Gissing, and Yeats. This book focuses on a selection of Morris? writings and situates them in the fields of art, culture, and society. Through Roland Barthes? a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sasso, Eleonora
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lewiston, N.Y. : Edwin Mellen Press, ©2011.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Sasso, Eleonora. 
245 1 0 |a How the writings of William Morris shaped the literary style of Tennyson, Swinburne, Gissing, and Yeats :  |b Barthesian re-writings based on the pleasure of distorting repetition /  |c Eleonora Sasso ; with a foreword by Francesco Marroni. 
260 |a Lewiston, N.Y. :  |b Edwin Mellen Press,  |c ©2011. 
300 |a 1 online resource (vi, 205 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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504 |a Includes bibliographical references and index. 
505 0 |a The secret admirer : Tennyson, Morris and the Arthurian competition -- The sensual imitator : Swinburne, Morris and the fleshly school -- The unfriendly observer : Gissing's response to Morris's social commitment -- The faithful reader : W.B. Yeats, Morris and the seduction of the fantastic. 
588 0 |a Print version record. 
520 |a This text is the first to examine the influence of William Morris on the artistic, literary, and ideological styles of Tennyson, Swinburne, Gissing, and Yeats. This book focuses on a selection of Morris? writings and situates them in the fields of art, culture, and society. Through Roland Barthes? approach to interpreting text, Sasso demonstrates that Tennyson, Swinburne, Gissing, and Yeats were all readers of Morris? work which in turn stimulated their own writing and infused them with desire. Sasso?s goal is to show how Morris? influence caused his contemporaries to emulate his style of writ. 
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600 1 0 |a Morris, William,  |d 1834-1896  |x Influence. 
600 1 0 |a Morris, William,  |d 1834-1896  |x Contemporaries. 
600 1 0 |a Tennyson, Alfred Tennyson,  |c Baron,  |d 1809-1892  |x Criticism and interpretation. 
600 1 0 |a Swinburne, Algernon Charles,  |d 1837-1909  |x Criticism and interpretation. 
600 1 0 |a Gissing, George,  |d 1857-1903  |x Criticism and interpretation. 
600 1 0 |a Yeats, W. B.  |q (William Butler),  |d 1865-1939  |x Criticism and interpretation. 
600 1 7 |a Gissing, George,  |d 1857-1903  |2 fast 
600 1 7 |a Morris, William,  |d 1834-1896  |2 fast 
600 1 7 |a Swinburne, Algernon Charles,  |d 1837-1909  |2 fast 
600 1 7 |a Tennyson, Alfred Tennyson,  |c Baron,  |d 1809-1892  |2 fast 
600 1 7 |a Yeats, W. B.  |q (William Butler),  |d 1865-1939  |2 fast 
650 0 |a Imitation in literature. 
650 0 |a Authors and readers  |z Great Britain  |x History  |y 19th century. 
650 6 |a Imitation (Littérature) 
650 6 |a Écrivains et lecteurs  |z Grande-Bretagne  |x Histoire  |y 19e siècle. 
650 7 |a LITERARY CRITICISM  |x European  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a Authors and readers  |2 fast 
650 7 |a Contemporaries  |2 fast 
650 7 |a Imitation in literature  |2 fast 
650 7 |a Influence (Literary, artistic, etc.)  |2 fast 
651 7 |a Great Britain  |2 fast 
650 7 |a English.  |2 hilcc 
650 7 |a Languages & Literatures.  |2 hilcc 
650 7 |a English Literature.  |2 hilcc 
648 7 |a 1800-1899  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Sasso, Eleonora.  |t How the writings of William Morris shaped the literary style of Tennyson, Swinburne, Gissing, and Yeats.  |d Lewiston, N.Y. : Edwin Mellen Press, ©2011  |z 9780773439139  |w (DLC) 2011031106  |w (OCoLC)742513991 
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