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Print culture in early modern France : Abraham Bosse and the purposes of print /
"In this book, Carl Goldstein examines the print culture of seventeenth-century France through a study of the career of Abraham Bosse, a well-known printmaker, book illustrator, and author of books and pamphlets on a variety of technical subjects"--
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2011.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Goldstein, Carl. | |
| 245 | 1 | 0 | |a Print culture in early modern France : |b Abraham Bosse and the purposes of print / |c Carl Goldstein. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2011. | ||
| 300 | |a 1 online resource | ||
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| 520 | |a "In this book, Carl Goldstein examines the print culture of seventeenth-century France through a study of the career of Abraham Bosse, a well-known printmaker, book illustrator, and author of books and pamphlets on a variety of technical subjects"-- |c Provided by publisher | ||
| 520 | |a "In this book, Carl Goldstein examines the print culture of seventeenth-century France through a study of the career of Abraham Bosse, a well-known printmaker, book illustrator, and author of books and pamphlets on a variety of technical subjects. The consummate print professional, Bosse persistently explored the endless possibilities of print - single-sheet prints combining text and image, book illustration, broadsides, placards, almanacs, theses, and pamphlets. Bosse had a profound understanding of print technology as a fundamental agent of change. Unlike previous studies, which have largely focused on the printed word, this book demonstrates the extent to which the contributions of an individual printmaker and the visual image are fundamental to understanding the nature and development of early modern print culture"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; PRINT CULTURE IN EARLY MODERN FRANCE; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; Introduction; CHAPTER 1: A Printmaking Revolution; THE TREATISE ON ETCHING AND ENGRAVING; A NEW BEGINNING; ORIGINAL AND COPY; COLLECTING PRINTS; THE ORIGINALITY OF AN ETCHING-ENGRAVING; PRINTS AS REPRODUCTIONS; ORIGINAL FORGERIES; AN INTERNATIONAL MARKET; THE LEGACY; CHAPTER 2: Scenes of Everyday Life; THE CITY; THE TRADES; FASHION PLATES; CHAPTER 3: Drama, Theater, and Prints; THE THEATER OBSERVED; PRINTED DRAMA; VERSIONS OF FARCE; THE BATTLE OF THE SEXES. | |
| 505 | 8 | |a WOMEN AT LARGETHE SPOKEN WORD; THE THEATER OF EVERYDAY LIFE; THE CARNIVALESQUE; THE MORALITY PLAY; THE NEOCLASSICAL THEATER; CHAPTER 4: Contingencies and Contradictions; RELIGION; WAR; THE BOURGEOIS; SCIENCE, NOT-SCIENCE; CHAPTER 5: The Royal Portrait; THE KING IN PRINT; BREAKING THE CODE; CHAPTER 6: Image and Text: Reading Single-Sheet Prints; VIEWING THE IMAGE, READING THE PRINT; WORD AND IMAGE; CHAPTER 7: Book Illustrations; TYPES OF PICTURES; PLAYS AND ROMANCES; A NEW SPIRIT; THE ANTIQUE; SCIENCE; TECHNICAL MANUALS; CHAPTER 8: Books and Pamphlets; PAINTING AND THEORY BEFORE BOSSE. | |
| 505 | 8 | |a BOSSES THEORY OF PAINTINGREINVENTING THE WHEEL?; ART AS KNOWLEDGE; PAMPHLET WARS; ARCHITECTURE; ACADEMIC PUBLISHING; CODA: Poussin, Scarron, Bosse, and the Economy of Transgression; Notes; Bibliography; Index. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Bosse, Abraham, |d 1602-1676 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Bosse, Abraham, |d 1602-1676. |2 fast |0 (OCoLC)fst00126486 |
| 600 | 1 | 7 | |a Bosse, Abraham |d 1602-1676 |2 gnd |
| 600 | 1 | 7 | |a Bosse, Abraham. |2 idszbz |
| 650 | 0 | |a Prints, French |y 17th century. | |
| 650 | 0 | |a Printing |z France |x History |y 17th century. | |
| 650 | 0 | |a Arts and society |z France |x History |y 17th century. | |
| 650 | 6 | |a Estampe française |y 17e siècle. | |
| 650 | 6 | |a Imprimerie |z France |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Arts et société |z France |x Histoire |y 17e siècle. | |
| 650 | 7 | |a HISTORY |z Europe |x General. |2 bisacsh | |
| 650 | 7 | |a ART |x Prints. |2 bisacsh | |
| 650 | 7 | |a CRAFTS & HOBBIES |x Printmaking. |2 bisacsh | |
| 650 | 7 | |a Arts and society. |2 fast |0 (OCoLC)fst00817856 | |
| 650 | 7 | |a Printing. |2 fast |0 (OCoLC)fst01076612 | |
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| 650 | 7 | |a Graphik. |2 idszbz | |
| 650 | 7 | |a Illustration. |2 idszbz | |
| 650 | 7 | |a Sammlung. |2 idszbz | |
| 650 | 7 | |a Kunstmarkt. |2 idszbz | |
| 650 | 7 | |a Drucker. |2 idszbz | |
| 650 | 7 | |a Kupferstich. |2 idszbz | |
| 651 | 7 | |a Frankreich. |2 idszbz | |
| 648 | 7 | |a 1600-1699 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
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