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Mendelssohn, time and memory : the romantic conception of cyclic form /
An examination of cyclic form in Mendelssohn's instrumental music and its implications for conceptions of musical time, memory and history.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, UK ; New York :
Cambridge University Press,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Taylor, Benedict, |d 1981- | |
| 245 | 1 | 0 | |a Mendelssohn, time and memory : |b the romantic conception of cyclic form / |c Benedict Taylor. |
| 260 | |a Cambridge, UK ; |a New York : |b Cambridge University Press, |c 2011. | ||
| 300 | |a 1 online resource (ix, 303 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Mendelssohn, Time and Memory; Title; Copyright; Contents; Illustrations; Acknowledgements; Introduction; 1 The idea of cyclic form; 1. End-orientated (circular) cyclic forms; 2. Non-end-orientated cyclic forms; 3. Combined- or single-movement cyclic forms; Historical context and development; The shape of history and historical self-consciousness; Subjectivity; Organicism; Origins and precursors of nineteenth-century cyclicism; Beethoven and Romantic cyclicism; Cyclic form in Mendelssohn's early works; 2 Musical history and self-consciousness: The Octet Op. 20. | |
| 505 | 8 | |a Musical memory and self-consciousness: 'the Circuitous Journey'The Octet as a phenomenology of spirit; Cyclicism and the organic growth of material across the Octet; Organic growth: the first movement; Thematic connections between movements: the Andante and first movement; Cyclic recall: the finale; The Octet and musical history; Mendelssohn and Goethe; 'To me alone he told his secret', claimed Fanny:; 3 Returning home: The E major Piano Sonata Op. 6; The myth of the golden age; The Sonata in E major Op. 6; 4 In search of lost time: The A minor Quartet Op. 13; The A minor Quartet Op. 13. | |
| 505 | 8 | |a Cyclic recurrence: the introduction-coda frameInternal thematic working and recall; Internal non-recurring variants; Cyclic recurring themes; Process of theme b; Development of theme a and the converging of both strands; The coda; Cyclical form and time; Ist es wahr? Interpretation and context; Opus 13 and Proust; 5 Overcoming the past: The E Quartet Op. 12; First movement; Later movements; Coda; 6 Cyclicism in Mendelssohn's mature music; The 'Reformation' Symphony (1830); Musical meaning and the challenge of instrumental music. | |
| 505 | 8 | |a Cyclic form in Mendelssohn's 'middle-period' works and the question of intelligibilityMENDELSSOHN'S MATURE CYCLICISM; Symphony No. 3 in A minor ('Scottish') Op. 56; Cyclic themes and thematic connections between movements; Cyclic thematic manipulation and formal process: first movement; Interpretative issues: the 'Scottish' Symphony as overdetermined; Ruins and historical memory: the first movement; Rotations and cycles: the A major coda; Breakthrough and daybreak; Bibliography; Index. | |
| 520 | |a An examination of cyclic form in Mendelssohn's instrumental music and its implications for conceptions of musical time, memory and history. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Mendelssohn-Bartholdy, Felix, |d 1809-1847 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Mendelssohn-Bartholdy, Felix, |d 1809-1847 |2 fast |
| 600 | 1 | 7 | |a Mendelssohn Bartholdy, Felix |d 1809-1847 |2 gnd |
| 600 | 1 | 7 | |a Mendelssohn Bartholdy, Felix. |2 swd |
| 650 | 0 | |a Cyclic form (Music) | |
| 650 | 0 | |a Instrumental music |y 19th century |x History and criticism. | |
| 650 | 6 | |a Forme cyclique (Musique) | |
| 650 | 6 | |a Musique instrumentale |y 19e siècle |x Histoire et critique. | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Composers & Musicians. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
| 650 | 7 | |a Cyclic form (Music) |2 fast | |
| 650 | 7 | |a Instrumental music |2 fast | |
| 650 | 7 | |a Komposition |g Musik |2 gnd | |
| 650 | 7 | |a Zyklische Form |2 gnd | |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Taylor, Benedict, 1981- |t Mendelssohn, time and memory. |d Cambridge, UK ; New York : Cambridge University Press, 2011 |z 9781107005785 |w (DLC) 2011027654 |w (OCoLC)729345949 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=408956 |z Texto completo |
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