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The Men Who Knew Too Much : Henry James and Alfred Hitchcock.
Henry James and Alfred Hitchcock knew too much. Self-imposed exiles fully in the know, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and pathbreaking in their...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
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Oxford :
Oxford University Press, USA,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Contents; Preface; Reading James with Hitchcock, Seeing Hitchcock through James; 1. National Bodies; 2. Secrets, Lies, and "Virtuous Attachments": The Ambassadors and The 39 Steps; 3. Henry James and Alfred Hitchcock after the American Century: Circulation and Nonreturn in The American Scene and Strangers on a Train; 4. Colonial Discourse and the Unheard Other in Washington Square and The Man Who Knew Too Much; 5. Bump: Concussive Knowledge in James and Hitchcock; 6. James's Birdcage/Hitchcock's Birds; 7. Sounds of Silence in The Wings of the Dove and Blackmail; 8. The Perfect Enigma.
- 9. Hands, Objects, and Love in James and Hitchcock: Reading the Touch in The Golden Bowl and Notorious10. The Touch of the Real: Circumscribing Vertigo; 11. Specters of Respectability: Victorian Horrors in The Turn of the Screw and Psycho; 12. Caged Heat: Feminist Rebellion in In the Cage and Rear Window; 13. Shadows of Modernity: What Maisie Knew and Shadow of a Doubt; 14. Awkward Ages: James and Hitchcock in Between; Notes; Works Cited; Filmography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.