Regarding the popular : modernism, the avant-garde, and high and low culture /
Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo- )avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies e...
Clasificación: | Libro Electrónico |
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Otros Autores: | |
Formato: | Electrónico eBook |
Idioma: | Inglés Francés Alemán |
Publicado: |
Berlin ; Boston :
De Gruyter,
©2012.
|
Colección: | European avant-garde and modernism studies ;
v. 2. |
Temas: | |
Acceso en línea: | Texto completo |
MARC
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245 | 0 | 0 | |a Regarding the popular : |b modernism, the avant-garde, and high and low culture / |c edited by Sascha Bru [and others] ; with the editorial assistance of Leslie A. Barnes, Gareth Farmer and Matthias Somers. |
246 | 3 | 0 | |a Modernism, the avant-garde, and high and low culture |
260 | |a Berlin ; |a Boston : |b De Gruyter, |c ©2012. | ||
300 | |a 1 online resource (xii, 487 pages) : |b illustrations | ||
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490 | 1 | |a European avant-garde and modernism studies = |a Etudes sur l'avant-garde et le modernisme en Europe = |a Studien zur europäischen Avantgarde und Moderne ; |v v. 2 | |
546 | |a Contributions in English, French and German. | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a About the Series -- Surla collection -- Zur Buchreihe; Introduction; Given the Popular; Terms and Canons; "The Madness of the Unexpected". Duchamp's Readymades and the Survival of "High" Art; Instrument of Inspiration High/Low Illusions in British Experimental Music and After; English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension; Kinaesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide; Art, Nation and Political Discourse; Culture en quête de repères; Folklore; Dada, Carnival and Revolution. | |
505 | 8 | |a Spuren der Volksdichtung in der ungarischen AvantgardeliteraturMusical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song; What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry; Der junge Borges und die ultraistische Avantgarde Das Populäre als Taktik; The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination; The Everyday; Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau; Everyday Life in André Breton's Trilogy Nadja, Vases Communicants and L'Amour fou. | |
505 | 8 | |a Entre mime et possession: récits surréalistes et fictions populairesThe Blood of the Poet: Cocteau, Surrealism and the Politics of the Vulgar; "Broken Clouds -- also by Instalments": Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s; The "Abakans" and the Feminist Revolution; A Glossier Shade of Brown: Imi Knoebel's Raum 19; Commerce; Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde; Wyndham Lewis and the Inter-War Popular Novel. Potboilers and Gunman Bestsellers. | |
505 | 8 | |a Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de ParisBetween the Old and the New: The Surrealist Outmoded as a Radical Third Term; "The Hidden Network of the Avant-Garde": der farbige Werbefilm als eine zentraleuropäische Erfindung?; Media; Lessons from the Press: Picasso and Mass Print Media, 1911-37; Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25); "Produktion -- Reproduktion": Echos von Lázló Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst. | |
505 | 8 | |a Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37)A Second Avant-Garde without a First: GreekAvant-Garde Artists in the 1960s and 1970s; Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s; A Tentative Embrace. Superstudio's New Media Nomads; Index. | |
520 | |a Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo- )avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called "low" culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly "high" modernists and avant-gardists looked at and represented the "low". As such, this book will appeal to all those wit. | ||
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