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|a 9780817384807
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|b .T44 2010 v. 30eb
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|a UAMI
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|a Theatre history studies, 2010.
|n Volume 30 :
|b African and African American theatre past and present /
|c edited by Rhona Justice-Malloy.
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|a African and African American theatre past and present
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|a Tuscaloosa, Ala. :
|b University of Alabama Press,
|c 2010.
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|a 1 online resource (301 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a "Theatre History Studies is an official journal of the Mid-America Theatre Conference, Inc. (MATC)."
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|t Poor "Black" Theatre: Mid-America Theatre Conference Keynote Address, March 7, 2009 /
|r E. Patrick Johnson --
|t Hit-and-Run Theatre: The Rise of a New Dramatic Form in Zimbabwe /
|r Praise Zenega --
|t Abject No More: Authority and Authenticity in the Theatrical Career of Rose McClendon /
|r Cheryl Black --
|t How Does the Show Go On? Theatre for Development in Post-election Kenya /
|r Christopher Connelly --
|t The Unreported Miracle of Paul Robeson and The Miracle /
|r Felicia Hardison Londre --
|t Mvett Performance: Retention, Reinvention, and Exaggeration in Remembering the Past /
|r Mbala D. Nkanga --
|t "You Hip to Buffalo?" The Hidden Heritage of Black Theatre in Western New York/
|r Virginia Anderson --
|t Masculine Women, Feminist Men: Assertions and Contradictions in Mawugbe's In the Chest of a Woman /
|r Awo Mana Asiedu --
|t Understanding Paul Robeson's Soviet Experience /
|r Lauren McConnell --
|t Ota the Other: An African on Display in America /
|r Jocelyn L. Buckner --
|t Oteller and Desdemonum: Defining-Nineteenth Century Blackness /
|r Andrew Carlson --
|t "Looking at One's Self through the Eyes of Others": Representations of the Progressive Era Middle Class in W.E.B. Du Bois's The Star of Etheopia /
|r Rebecca Hewett --
|t Knowing Their Place: The Ulster Lyric Theatre, the Lyric Theatre, and the Northern Irish Theatre Scene /
|r Roy Connolly --
|t Thinking about the Theatre -- and Theatre Critics: An Interview with Robert Brustein, Conducted by Bert Cardullo, New York City, July 2008 /
|r Bert Cardullo --
|g BOOK REVIEWS --
|t Rhonda Blair, The Actor, Image, and Action: Acting and Cognitive Neuroscience /
|r Adrianne Adderley --
|t Bud Coleman and Judith A. Sebesta, eds., Women in American Musical Theare /
|r Terry Berliner --
|t Thomas Alan King, The Gendering of Men, 1600-1750. Vol. 2, Queer Articulations /
|r Scott S. Boston --
|t William E. Demastes, Spalding Gray's America /
|r Johan Callens --
|t Anne Fletcher, Rediscovering Mordecai Gorelik: Scene Design and the American Theatre --
|t Barbara Wallace Grossman, A Spectacle of Suffering: Clara Morris on the American Stage /
|r Anne Fletcher --
|t M. Susan Anthony, Gothic Plays and American Society, 1794-1830 /
|r Diane Long Hoeveler --
|t Cathy Turner and Synne K. Behrndt, Dramaturgy and Performance /
|r Valleri J. Hohman --
|t Diana Taylor and Sarah J. Townsend, eds., Stages of Conflict: A Critical Anthology of Latin American Theater and Performance /
|r Jorge Huerta --
|t Anne Aliotsos and Weddy Vierow, American Women Stage Directors of the Twentieth Century /
|r Megan Sanborn Jones --
|t Elina Gertsman, ed., Visualizing Medieval Performance: Perspectives, Histories, Contexts /
|r Darin Kerr --
|t Laurence Senelick, ed., Theatre Arts on Acting /
|r David Krasner --
|t Scott K. Taylor, Honor and Violence in Golden Age Spain /
|r Hugh K. Long --
|t Leigh Clemons, Branding Texas: Performing Culture in the Lone Star State /
|r Eric Love --
|t Teril Moi, Henerik Ibsen and the Birth of Modernism /
|r Joe Martin --
|t Marc Robinson, The American Play, 1787-2000 /
|r Heather S. Nathans --
|t Phillip C. Kolin, ed., The Influence of Tennessee Williams: Essays on Fifteen American Playwrights /
|r Elizabeth A. Osborne --
|t Marc Maufort and Caroline de Wagter, eds., Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama /
|r Barbara Ozieblo --
|t Melissa Sihra, ed., Women in Irish Drama: A Century of Authorship and Repression /
|r W. Douglas Powers --
|t Christopher Bigsby, ed., The Cambridge Companion to August Wilson /
|r Sandra Shannon --
|t Miranda Lundskaer- Nielson, Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s /
|r Bryan M. Vandevender --
|t Sharon Friedman, ed., Feminist Theatrical Revisions of Classic Works /
|r Sara L. Warner --
|t Robin G. Wilder and Jackson Bryer, eds., The Selected Letters of Thornton Wilder /
|r Christopher J. Wheatley --
|t Milly S. Barranger, Unfriendly Witnesses: Gender, Theater, and Film in McCarthy Era /
|r Barry Witham.
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|a Print version record.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Theater
|z United States
|x History.
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650 |
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|a Theater
|x History
|v Periodicals.
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650 |
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|a African Americans in the performing arts
|x History.
|
650 |
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|a Théâtre
|z États-Unis
|x Histoire.
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650 |
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|a Théâtre
|x Histoire
|v Périodiques.
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650 |
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|a Noirs américains dans les arts du spectacle
|x Histoire.
|
650 |
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|a PERFORMING ARTS
|x Theater
|x Playwriting.
|2 bisacsh
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|a African Americans in the performing arts
|2 fast
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|a Theater
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|a United States
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|a History
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|a Periodicals
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|a Justice-Malloy, Rhona.
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|a Mid-America Theatre Conference.
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|i Print version:
|t Theatre history studies, 2010. Volume 30.
|d Tuscaloosa, Ala. : University of Alabama Press, 2010
|z 9780817371074
|w (OCoLC)644655307
|
856 |
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|z Texto completo
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938 |
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|a Internet Archive
|b INAR
|n theatrehistoryst0030unse
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL835684
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938 |
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|a EBSCOhost
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