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Languages Within Language : an evolutive approach /

There is little hope of reconstructing by means of comparative or typological studies a lingua adamica essentially different from present-day languages. The distant preverbal past is however still present in live speech. Phonetic, syntactic and semantic rule transgressions, far from being products o...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fónagy, Ivan
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam/Philadelphia : John Benjamins Pub. Co., 2001.
Colección:Foundations of semiotics ; v. 13.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Languages Within Language :  |b an evolutive approach /  |c Ivan Fónagy. 
260 |a Amsterdam/Philadelphia :  |b John Benjamins Pub. Co.,  |c 2001. 
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490 1 |a Foundations of semiotics,  |x 0168-2555 ;  |v v. 13 
505 0 |a LANGUAGES WITHIN LANGUAGE; Editorial page; Title page; Copyright page; Table of contents; List of figures; List of tables; Acknowledgments; 1. Diversity of the lexicon; 1. Arbitrary vs. iconic signs; 2. Degrees of fuzziness; 3. Semantic and pragmatic meaning; 2. Dual encoding; Vocal style; 1. Oral gesturing; 2. Vocal style; 3. Motivation and convention; 4. Semantic aspects of statistical deviation; 5. Unconscious vocal messages; 6. Vocal personality; 3. Syntactic gesturing; 1. Expressive word order; 2. Impressive word order; 3. Syntactic portrayal; 4. Fancy and motivation. 
505 8 |a 4. Syntactic regressions1. Genesis of articulated sentences; 2. Ontogeny and psychogenesis; 3. Primal verbal categories; 4. Functional variety of syntactic regressions; 5. Vocal expression of emotions; 1. Static and dynamic distinctive features; 2. How is vocal gesturing to be interpreted?; 3. Intonation and music; 4. Emotions, attitudes, and moods; 5. Melodic metaphors: Dynamics and evolution; 6. Complex melodic patterns; 6. Poetry and vocal art; 1. Melody of poetic texts; 2. Interpretation of creative vocal messages; 7. Situation and meaning; 1. The status of bound utterances. 
505 8 |a 2. Semantic erosion3. Pragmatic abstraction; 4. bound utterances: The praxis; 5. Utterances in the making; 6. The cliché: A contribution to multi-channel communication; 8. Fading and dynamics; 1. Transfer of bound utterances; 2. Bound utterances as a source of lexical change; 3. Bound utterances inducing grammatical changes; 4. Modal particles: Change of semiotic levels; 5. Fixation, change, and dynamic synchrony; 9. A hidden presence: Verbal magic; 1. Euphemism, cacophemism; 2. Speech acts and verbal magic; 10. Playing with language: Joke and metaphor. 
505 8 |a 1. Syntactic and semantic structure of jokes2. Poetry is also joking; 3. Metaphor and its relatives: A parenthesis; 4. Joke-land and Metaphoria: A tentative synthesis; 11. The metaphor: A research instrument; 1. Metaphors in phonetics; 2. Preconscious bases of metaphors; 3. Unconscious foundations; 4. Why metaphors?; 5. Poetic origins of scientific metaphor; 6. On cognitive metaphor; 12. Why poetic language?; 1. Types of poetic redundancy; 2. Striving for more information; 3. Synthesis of conflicting trends; 4. The forms of content; 5. The content of inner form. 
505 8 |a 6. Functions of poetic language7. A missing dimension; 13. The semantic structure of possessive constructions; 1. Semantic diversity; 2. Interlinguistic divergences; 3. Interlinguistic convergences; 4. How to reduce diversity; 5. Paleological unity in diversity; 6. Functions of polyvalence; 7. An ontogenetic outlook; 14. Semantic structure of punctuation marks; 1. Status of punctuation marks; 2. Iconicity and language dependence of punctuation marks; 15. Why gestures?; 1. Types and functions of gesture; 2. Visual thinking; 3. Action language; 4. Gestures and their vicissitudes. 
500 |a 16. Between acts and words. 
520 |a There is little hope of reconstructing by means of comparative or typological studies a lingua adamica essentially different from present-day languages. The distant preverbal past is however still present in live speech. Phonetic, syntactic and semantic rule transgressions, far from being products of a deficient output, are governed by a universal iconic apparatus, a sort of 'anti-grammar' or 'proto-grammar' which enables the speaker and the poet to express preconscious and subconscious mental contents that could not be conveyed by means of the grammar of any language. Secondary messages, gene. 
588 0 |a Print version record. 
504 |a Includes bibliographical references (pages 699-784) and indexes. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Linguistic change. 
650 0 |a Psycholinguistics. 
650 6 |a Changement linguistique. 
650 6 |a Psycholinguistique. 
650 7 |a psycholinguistics.  |2 aat 
650 7 |a FOREIGN LANGUAGE STUDY  |x Ancient Languages.  |2 bisacsh 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Linguistics  |x Historical & Comparative.  |2 bisacsh 
650 7 |a Linguistic change.  |2 fast  |0 (OCoLC)fst00999167 
650 7 |a Psycholinguistics.  |2 fast  |0 (OCoLC)fst01081323 
776 0 8 |i Print version:  |a Fónagy, Ivan.  |t Languages Within Language : An evolutive approach.  |d Amsterdam/Philadelphia : John Benjamins Publishing Company, ©2001  |z 9789027232830 
830 0 |a Foundations of semiotics ;  |v v. 13.  |x 0168-2555 
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