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|a Helbo, André.
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|a Theory of performing arts /
|c by André Helbo.
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|a Amsterdam ;
|a Philadelphia :
|b Benjamins,
|c 1987.
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|a 1 online resource (viii, 153 pages).
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|a Critical theory ;
|v v. 5
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|a Includes bibliographical references (pages 147-153).
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|a Annotation
|b n recent years, the post structuralist theories seem to have created a split in theatrological research. But, as André Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coherence, the spectacle contract.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Performing arts
|x Semiotics.
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|a Performing arts
|x Philosophy.
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|a Sémiotique et arts du spectacle.
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|a Arts du spectacle
|x Philosophie.
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|a SPORTS & RECREATION
|x General.
|2 bisacsh
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|a Performing arts
|x Philosophy
|2 fast
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|a Performing arts
|x Semiotics
|2 fast
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776 |
0 |
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|i Print version:
|a Helbo, André.
|t Theory of performing arts.
|d Amsterdam ; Philadelphia : Benjamins, 1987
|w (DLC) 87014584
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830 |
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|a Critical theory ;
|v v. 5.
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4 |
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