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Projections : comics and the history of twenty-first-century storytelling /
Annotation
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Stanford, CA :
Stanford University Press,
2012.
|
| Colección: | Post 45.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 082 | 0 | 4 | |a 741.5/973 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Gardner, Jared. | |
| 245 | 1 | 0 | |a Projections : |b comics and the history of twenty-first-century storytelling / |c Jared Gardner. |
| 260 | |a Stanford, CA : |b Stanford University Press, |c 2012. | ||
| 300 | |a 1 online resource (xv, 220 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 490 | 1 | |a Post 45 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Annotation |b When Art Spiegelman'sMauswon the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists now published by major presses and more comics-based films arriving on the screen each year. Projectionsargues that the seemingly sudden visibility of comics is no accident. Beginning with the parallel development of narrative comics at the turn of the 20th century, comics have long been a form that invitesindeed requiresreaders to help shape the stories being told. Today, with the rise of interactive media, the creative techniques and the reading practices comics have been experimenting with for a century are now in universal demand. Recounting the history of comics from the nineteenth-century rise of sequential comics to the newspaper strip, through comic books and underground comix, to the graphic novel and webcomics, Gardner shows why they offer the best models for rethinking storytelling in the twenty-first century. In the process, he reminds us of some beloved characters from our past and present, including Happy Hooligan, Krazy Kat, Crypt Keeper, and Mr. Natural. | |
| 505 | 0 | 0 | |g 1. |t Fragments of Modernity, 1889-1920 -- |g 2. |t Serial Pleasures, 1907-1938 -- |g 3. |t Fan-Addicts and the Comic Book, 1938-1955 -- |g 4. |t First-Person Graphic, 1959-2010 -- |g 5. |t Archives and Collectors, 1990-2010 -- |g 6. |t Coda: Comics, Film, and the Future of Twenty-First-Century Storytelling -- |t Notes. |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Comic books, strips, etc. |z United States |x History and criticism. | |
| 650 | 0 | |a Motion pictures and comic books |z United States. | |
| 650 | 0 | |a Narration (Rhetoric) | |
| 650 | 6 | |a Cinéma et bandes dessinées |z États-Unis. | |
| 650 | 6 | |a Narration. | |
| 650 | 7 | |a ART |x Techniques |x Drawing. |2 bisacsh | |
| 650 | 7 | |a Comic books, strips, etc. |2 fast |0 (OCoLC)fst00869145 | |
| 650 | 7 | |a Motion pictures and comic books. |2 fast |0 (OCoLC)fst01894649 | |
| 650 | 7 | |a Narration (Rhetoric) |2 fast |0 (OCoLC)fst01032927 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 650 | 7 | |a Bandes dessinées |z États-Unis |y 1870-1914 |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Bandes dessinées |z États-Unis |y 20e siècle |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Cinéma et bandes dessinées |z États-Unis. |2 ram | |
| 650 | 7 | |a Narration. |2 ram | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Gardner, Jared. |t Projections. |d Stanford, CA : Stanford University Press, 2012 |w (DLC) 2011031184 |
| 830 | 0 | |a Post 45. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=713497 |z Texto completo |
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